Active studio monitors anyone?


Due to the unavailability of a full size Man Room and a sub par Living Room area I have started to seriously consider Active Studio Monitors as my listening room will be in a converted Office that are so prevalent in the newer Suburban House Floorplan.  There seems to be MANY benefits in going active monitors set up in the near field to mid field. Active DSP, No passive crossovers, Plenty of room acoustic adjustments, some with onboard DACS, Some full digital domain till it reaches the drivers, Near full range And ruler flat responses. I have narrowed it down to a few that fit my needs and would greatly reduce the boxes and expense. A good streamer, optional DAC and Pre with active monitors would be the whole kit.

One Im looking at are APS Klasik which will be coming out with a HiFi model of the Klasik Studio Monitor differing by a vinyl or wood wrap of your choice, stand by power on/off, and Grill covers. This is highly regarded for Mixing and MAstering it also looks more like a hifi speaker than a monitor.

Nubert Nupro A300 which look great and is fully digital to the drivers so a high end streamer and the speakers would be the whole system. 

A few from Focal and Dynaudio 

Presonus Sceptre s8 has a great DSP and a Coaxial.

These are just the highly regarded less than 2K offerings and many like the EVENT OPAL, Focal Trio, neumans, ATC and Geithain would be something to look at on the high end if it really works out and even those would be bargains considering how much you would be saving in amps, high end cables, ect.
dcfis
Recently purchased JBL M2 studio monitors driven by Crown amps with built in DSP.   The quality of the sound is superior to anything I have ever owned or auditioned during the 50+ years I have been in this hobby which I began in the 60's with a AR3a/Dynaco/Shure V15 setup. 

Further to the posts removed from this thread, I respectfully propose we no longer refer to speakers as "passive" or "active".

Rather, we should allow speakers to self-identify their role in any system, and to define their relationship with the amplifier.





I have used various active ATCs for over 10 years. With the right ancillary gear they sound fantastic, they are not over analytical or fatiguing, create an amazing sound stage and are pretty cost effective.
I heard The magico Q7s ii driven by constellation monos recently at a hifi show. Apart from the fact they were in a very large room and so could go loud there was nothing I felt I was missing in my own system.