Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
A reminder to all satisfied "Black" and "Red" fuse users. These fuses help the TV systems also. I put a "Black" fuse in a ZVOX sound base that sits under the TV and it definitely was worth the effort. Movie dialog and music were improved. Increased clarity.

David Pritchard

If you Buy the new black PC you receive a SR Black fuse for free.

Same for the Red

Nice Deal.

anyone try the SR Black Box....some good reviews by stereo times and positive feedback......not sure how a low frequency resonator array fixes room bass issues but is intriguing albeit $1,999!!!
I heard it at this years Rocky Mountain Audiofest and was impressed. The Synergistic Research Facebook page has a good description of what it does.

David Pritchard
I have had "designer" fuses in my equipment for many years, starting with HiFi Tuning Supreme fuses in my Primaluna tube monos. I ultimately ditched the HiFi Tuning for the SR Reds in my amps and never looked back. Reds also went into my Bel Canto DAC/Pre and my Bryston BDP-2. The results were stunning, especially in the BDP-2 which, in my system, had a kind of range-y bass (ethereal--and not in a good way). In January I was able to upgrade the Reds in the Bryston to Blacks within the 30 day trial period--just lucky since I didn't know the Blacks were coming out. Today I received a Black to swap tor the Red in The Bel Canto. This is already making great sound, though my own experience tells me that they will come in and out of focus and tonal balance for at least 150 hours.

Everything the Reds do the Blacks simply do better. As enumerated by many others on this thread, the Blacks produce an even lower noise floor, better delineated images within the soundstage, better 3-D dimensionality, better defined and more extended bass and, something not often mentioned but very apparent to me, is that instrumental textures are so much better resolved. Particularly bowed-bass and other strings, reeds, horns, male and female vocals, even Hammond B-3.

I have really enjoyed following this thread...