Grace F9 F8 F-9 F-8 Andante F9 F-9 H S Sumiko Pearl Supex Phono Stylus GAS Sleeping Beauty


According to most reports, Sumiko made both the F-8 and F-9. A good friend, who was a Supex, Audire, B&W and Theta rep back then, told me the F-9 was actually made by Supex, which would make sense, since Supex made all Grace moving coils. Also, I would imagine that Sumiko would have a stylus or two available if they made it. 

Sumiko imported these into the US, as well as Andante as a part of their line, and as a separate line for non-Sumiko dealers. FYI, The GAS Sleeping Beauty M/C was Supex 9E+, simply pressed into an an outer mounting shell. I use the Supex Mark IV (Timeline: E, E+, E+ Super, Mark IV are all the same, as far as my ears can tell. They just renamed it every few years.), which eventually morphed into Koetsu, and all of these are really great.

The Grace F9 came with different styli, the green E is elliptical with an alloy cantilever, and the the S is spherical. The red, top of the line is the Ruby, an elliptical with a ruby cantilever. There were both elliptical and line contact tips with a boron cantilever. There are even more F-9's, and all the same cartridge body and internals. 

For nearly complete info, check here, but some of the photos are wrong, i.e. a green cantilever holder on a non- F-9: 

http://www.vinylengine.com/cartridg...chi=&stid=&masslo=&masshi=&notes=&prlo=&prhi=

The original F-9 has a round shank, but a square one fits perfectly, because the inside has offset, rectangular shank, locating springs. I know, because I Have an E and sell an aftermarket S with the square shank. It sounds at least as good as the original S. Many of my customers say it sounds better, but I realize that this is simply because their 9 is worn out and this allows it to drag the bottom of the groove, giving both noise and poor contact pressure. 

All F-9 styli are interchangeable between either company's F-9. 

The Sumiko Pearl was also marketed by Grace as the F-8, and by Andante as the H or S with spherical styli. The Pearl and Black Pearl styli from Sumiko are a complete match and work very nicely.

The Sumiko styli do not work in the F-9 nor vice versa. I state this in my eBay ad, but some people are hard to convince. My stylus can be forced into the F-8 (According to the one customer who kept it, but had to order a second one after destroying the first, then he put this monstrosity up for sale on eBay.) I had a second one returned because he said it only put out on one channel. I am surprised it did that. The cantilever itself is a different length and the magnet does not align with the pickup in the cartridge body. I could modify it, but why bother, when Sumiko has good ones available.

I hope this helps. Dan Vignau 


128x128danvignau
@lewm F-9F comes with aluminum cantilever

but hey, look at the stylus profile called "F/Descrete 4 design based on careful study of record materials and cutter stylus shape". 

Find more about it in their catalog HERE

They are at Shinagava Musen Co. LTD simply call it: "The finest cartridge in F9 series!" 

Does that mean something? 



They are at Shinagava Musen Co. LTD simply call it: "The finest cartridge in F9 series!"
FWIW, that isn't how I read it. It says, in part:
The F-9F ... is the finest cartridge in the F9 series suitable for reproduction of compatible discrete 4-channel records as well as 2-channel and matrix 4-channel records....

The F-9E has, in addition to the excellent features of the F-9F, the ability to provide the finest reproduction of stereo records.
While as you indicated the F-9F has the widest bandwidth (which is presumably advantageous when it comes to reproducing some of the quadraphonic formats), I would interpret the combination of the two statements above as being ambiguous with respect to which cartridge is better **for the reproduction of stereo records.**

Regards,
-- Al
 
Chakster,

Ever hear of something called a PR department? Their a group of people hired by companies to write up catchy phrases like ’’based on case studies’’, or ’’top of the line’’. How about ’’perfect sound forever’’ or ’’ World Class’’.
But I can tell you have already convinced yourself that you must have it so go ahead and buy it. I’m sure you will convince yourself that it is ’’the best thing since sliced bread". (grin)
Regards,
@griffithds then you are the one from JVC/Victor PR department and i’ve bought Victor X1-II because of you, i tried to resist myself but it was impossible, later i will report back about my experience with this X1-II.

The PR thing is evil only when you have to pay more because it’s "top of the line latest version and perfect sound forever". But when the price for rarest stuff is much cheaper than for common stuff i think there is nothing to lose. Personally i don't buy overpriced stuff. But we must pay for our own experience, this is how it works.

I’d like to hear something about F-9F from someone who experienced, who tried both F9F and F9E (or Ruby) to compare.
Chakster,

I was not ’hired’ by JVC/Victor. My statements were based on ’my’ opinions of what I was hearing. Not based on how much money you can pay me to come up with flashy catch phrases to make sales.
Your thoughts about getting feedback from who has experienced a F-9F is the best way to approach this. Not by reading PR spec. sheets. I have run across a thread in which the guy stated to love his F-9F. It also stated that it was the only Grace that he had ever owned. Not much of a comparison.
I think he was more proud that he owned a Grace than he was in the owning of the -9F.
Now it might be a great cartridge. It doesn’t seem like there is anyone who follows this thread who actually has owned one so perhaps it will be up to you to enlighten us to it values. You might be the one who discovers the next undiscovered hidden gem!
Keep up posted.
Regards,