Grace F9 F8 F-9 F-8 Andante F9 F-9 H S Sumiko Pearl Supex Phono Stylus GAS Sleeping Beauty


According to most reports, Sumiko made both the F-8 and F-9. A good friend, who was a Supex, Audire, B&W and Theta rep back then, told me the F-9 was actually made by Supex, which would make sense, since Supex made all Grace moving coils. Also, I would imagine that Sumiko would have a stylus or two available if they made it. 

Sumiko imported these into the US, as well as Andante as a part of their line, and as a separate line for non-Sumiko dealers. FYI, The GAS Sleeping Beauty M/C was Supex 9E+, simply pressed into an an outer mounting shell. I use the Supex Mark IV (Timeline: E, E+, E+ Super, Mark IV are all the same, as far as my ears can tell. They just renamed it every few years.), which eventually morphed into Koetsu, and all of these are really great.

The Grace F9 came with different styli, the green E is elliptical with an alloy cantilever, and the the S is spherical. The red, top of the line is the Ruby, an elliptical with a ruby cantilever. There were both elliptical and line contact tips with a boron cantilever. There are even more F-9's, and all the same cartridge body and internals. 

For nearly complete info, check here, but some of the photos are wrong, i.e. a green cantilever holder on a non- F-9: 

http://www.vinylengine.com/cartridg...chi=&stid=&masslo=&masshi=&notes=&prlo=&prhi=

The original F-9 has a round shank, but a square one fits perfectly, because the inside has offset, rectangular shank, locating springs. I know, because I Have an E and sell an aftermarket S with the square shank. It sounds at least as good as the original S. Many of my customers say it sounds better, but I realize that this is simply because their 9 is worn out and this allows it to drag the bottom of the groove, giving both noise and poor contact pressure. 

All F-9 styli are interchangeable between either company's F-9. 

The Sumiko Pearl was also marketed by Grace as the F-8, and by Andante as the H or S with spherical styli. The Pearl and Black Pearl styli from Sumiko are a complete match and work very nicely.

The Sumiko styli do not work in the F-9 nor vice versa. I state this in my eBay ad, but some people are hard to convince. My stylus can be forced into the F-8 (According to the one customer who kept it, but had to order a second one after destroying the first, then he put this monstrosity up for sale on eBay.) I had a second one returned because he said it only put out on one channel. I am surprised it did that. The cantilever itself is a different length and the magnet does not align with the pickup in the cartridge body. I could modify it, but why bother, when Sumiko has good ones available.

I hope this helps. Dan Vignau 


128x128danvignau

Showing 4 responses by almarg

I had my F-9E Ruby re-tipped by Mr. Ledermann a few years ago, with what I believe Lew is referring to as the "level 2" option (what was then the $250 option, non-specific to the F-9, which is now the option that is "$299 minimum").

While various other changes were occurring in my system around the same time, I feel confident in saying that the re-tipped cartridge outperformed the original F-9E Ruby. The improvement was especially evident on classical piano music, especially in the treble region.

I have been using it on a 1980’s Magnepan Unitrac tonearm.

In the coming weeks, btw, I’m planning on purchasing a Dynavector 17D3 LOMC, which member Rodman99999 had mentioned to me in a thread some time ago is "magic" in that particular arm. Should make for an interesting comparison.

Regards,
-- Al
Hi Lew,

I've never seen a load capacitance recommendation for the Ruby, but FWIW the datasheet for the original F-9E lists "operating conditions," upon which the various specs are based, of loads of 80 pf and 100Kohms.  Presumably, though, those values were needed to support the specified bandwidth of 45 kHz, that was needed for quadraphonic reproduction, and would be less critical with regular LP's.

Happy holidays!  Best regards,
-- Al
 
They are at Shinagava Musen Co. LTD simply call it: "The finest cartridge in F9 series!"
FWIW, that isn't how I read it. It says, in part:
The F-9F ... is the finest cartridge in the F9 series suitable for reproduction of compatible discrete 4-channel records as well as 2-channel and matrix 4-channel records....

The F-9E has, in addition to the excellent features of the F-9F, the ability to provide the finest reproduction of stereo records.
While as you indicated the F-9F has the widest bandwidth (which is presumably advantageous when it comes to reproducing some of the quadraphonic formats), I would interpret the combination of the two statements above as being ambiguous with respect to which cartridge is better **for the reproduction of stereo records.**

Regards,
-- Al
 
Thanks for the follow-up, Chakster.  I don't disagree with any of the comments in your most recent post, and in fact I had mentioned earlier in the thread that my F-9E Ruby when re-tipped by Soundsmith with one of his ruby-cantilevered line-contact offerings outperformed my original F-9E Ruby.  And I'll add to that comment that my original F-9E Ruby outperformed the original F-9E I had used for a few years back in the early 1980's.

My previous post simply addressed interpretation of the wording in the Grace datasheet that you had cited.

Regards,
-- Al