How much am I missing with SL1200 mk2?


Hi everybody,

Hope you are enjoying your Labor Day Weekend.

My system is:

Anthem 225i (using phono pre in rec)
Musical Fidelity A5.5 CD player
Usher CP 6311 speakers
Clean SL mk2 with AT cartridge 120e

How much am I missing with my SL opposed to a $1000-$1500 including cartridge more modern setup like Rega RP3, entry Clearaudio, VPI, etc?

I'm pretty happy with the current setup but have been told I am giving up a lot with the SL.

Your opinions are appreciated, just curious.

Thanks in advance,

Gary
uncledemp
Tweaking what you have is always a great adventure and personalizes your audio experience. Enjoy, but don't rule out the Well Tempered recommendation if down the road you are still not satisfied. The older models are still more than competitive with today's offerings and a steal at their used prices.
I've owned an SL1210M5G from KAB for a going on10 years now. I've done a number of the same tweaks that Johnny b53 recommends (have not wrapped the tonearm, however). Independent of his suggestions, I ordered my TT from KAB with the fluid damper installed. BUT I didn't actually start using it until a couple of years later. Consequently, I have a good sense of what that will do for the sound. I was already using a heavy hardwood plinth and had replaced stock footers + using other vibration control devices. For me, the fluid damper made a significant improvement to the sound. I'd caution you not to overfill. I only use enough fluid to where the paddle from the tone arm is immersed in it by just a couple of millimeters when the needle is on the record. I also found the Way Excellent TT Mat from Herbies to bring a nice improvement in clarity (am actually using it in conjunction with the heavier Technics rubber mat). It's your money and I'm not trying to say there aren't better TTs out there (especially for more $) but I think you have a good foundation with the SL and tend to agree with those who suggest spending elsewhere. Don't know anything about the Anthem phono pre but maybe that's something to consider...separate, outboard phono pre-amp. Am using a Heed Quasar, myself. Had a Lehmann Black Cube before that. You might benefit by dropping Kevin of KAB an email. He's very practical and down to earth. Good guy to deal with. I like his mod'd. integrated carts. I have a couple of Stanton's from him with vintage Pickering ellipticals. They do take all the hassle out of install and alignment. Might do one of his Ortofons in the future. Right now running a Grado Prestige Black w/8MZ stylus that he installed for me. Enjoying it. Good luck.
At the same price, you are missing nothing, you are ahead of the game. And with the names you mention, the same, you are doing fine. You have to spend a lot more ($5k+) to get a lot better, and it will take different brands than you mention.
Johnnyb53, I guess I was surprised about the fact that I wasn't engaged by the music of a Technics SP10 mk11 at a recent audio show. I definitely think a stock Technics SL1200 needs something-even if it's only careful placement. I just wanted to point out what Uncledemp might be missing(what he might look out for), as that was the question he asked, and what I thought was missing from the SP10 mk11. I was unfamiliar with the music, and I have heard, and danced to a Technics 1200 at a dance club. I also think a stock 1200 might need some looking out for, based on needle-drops and hearing one at an audiophile's home.
If I can continue to gain performance from the 1200 by spending a few hundred dollars, I'll be happy. I have some of the items on order now, and will contact KAB in the future. With my associated gear it appears keeping the 1200 is the way to go, at least for now.

I think I will avoid any demo's of high end tables. Ignorance is bliss!