Clayton Audio Class A amps. Need amp advice


Hi Guys,

I am looking to change my amps and for a few reasons.

First because I just upgraded my DAC from the great PS Audio DirectStream to the incredible Bricasti M1 DSD USB DAC. I love the Bricasti and it has shown that in my system it could offer me more with a more resolving and neutral amp IMO.

I am currently am using the wonderful sounding CJ Premier 12 mono tube amps. I love them and tubes in general but my speakers are the great Ascendo C8 Renaissance and look to present a somewhat benign load being 88 efficient and 6ohm but they are unique and have an internal firing 21 cm Kevlar Bass driver that is great but stubborn and the speakers I think will really shine with a iron fist control of that driver.

I love tubes, always have and always will but I grown tires of a flabby bottom which is exasperated by a unique and somewhat difficult to grip bass driver set up I spoke about above.

I want an amp that can give me as much tube sound as possible but with Grip and bottom end. I know this is a lot to ask for in the used $5k to $7k price range.

I have read and it seem like the Clayton offer exactly what I am looking for but wanted to hear from some of you guys if anyone has ever heard them or know of them or anything. Any info would really be appreciated. Here is the info on my speakers and I will also list the rest of my system in case you think that is helpful. Thanks

C8 Renaissance
Technical Data
Principle
• Three-Way with SASB bass unit (TOS Off)
(current damped outer driver with semi symmetrical band pass)
• Four-Way with SASB bass unit (TOS On)
Dimensions (W/H/D)
• 28 / 80 / 40 (without Base)
• 28 / 108 / 40 (with Base)
Weight
35 kg
Frequency Range
29 Hz (-3 dB) – 32.000 Hz
Power Rating
350 W Program (min)
Impedance
6 Ohm
Sensivity
88 dB / 1W/m
Outer Chassis (COAX)
• 25 mm Neodymium-fabric-tweeter
• 18 cm Woofer with XP cone
Inner Chassis
• 21 cm Chassis, Kevlar cone
TOS Chassis
• Ribbon-tweeter
TOS Function
• switchable (TOS Unit - Dipole AN / AUS)
Sockets
• Single / BiWiring Base
Dimensions (W/H/D)
28 / 18 / 40 cm
Weight
11 kg

Ascendo C-8 Renaissance Speakers (Germany) Speaker
Purist Audio Design Corvus Praesto Revision 2.5m Bi-Wire Speaker cable
Darwin TRUTH Pure Silver Reference 1 Meter RCA Interconnect
Darwin TRUTH Pure Silver Reference 1 Meter RCA Interconnect
Bricasti M1 USB / DSD / Volume Control DAC (New) DA converter
Tellurium Q BLACK DIAMOND Reference USB Cable
Decware ZSTAGE External Triode Output StageTelefunken ECC801S
Audio Research REFERENCE 1 MK II w/Rhodium IEC/NOS Tubes Tube preamp
PS Audio PowerPlant Premier AC Regenerator
Conrad Johnson Premier 12 Mono's 140 Watts Tung-Sol KT120's Tube amp
Salamander Amplifier Stands (2) Synergy System AV Furniture Stand
BMI Shark Jeweler Grade Platinum 9 AWG AC Power Cable
Mad Scientist PC-NEO with Power Purifier 11 AWG Power Cable
Sablon Audio Petite Corona 2.0M 7 AWG AC Power Cable
JPS Labs The Power AC+ 2M 8 AWG AC Power Cable
Synergistic Research Labs Tesla Series SE T1 AC Power Cable
Synergistic Research Labs Tesla Series T1 AC Power Cable
PS Audio Noise Harvester (5) Converts noise to light
OYAIDE RI Beryllium Power Outlets (2)
Blue Circle Audio The Yalu Balula Industrial Surge/Spike Protection
JPLAY v5.2 hi-end audio player turns PC into a digital transport.
Fidelizer Pro Version 6.1
JRiver Media Center 19 Music Software
128x128Ag insider logo xs@2xfsmithjack
There's no free lunch. Tubes and solid state will never sound the same.

Class D has gotten so much better, but in my opinion suffers from sort of a one-note bottom (some are better than others). Plenty of bass in Class D but not as much articulation and differentiation as from better solid state.

I am enjoying a Devialet D400, a hybrid Class A and Class D design. My D400 can not take place of my CJ GAT/ART monos, but it's a nice change and runs cooler for the peak summer months.

I often enjoy a tube preamp and SS amp or the opposite too. Tubes give the that tremendous 3D, depth, width, bloom, sweetness and air that no solid state can give you. On the other hand, SS give you that tight fisted control over bass and no tube worry.

My Devialet D400 as a dac/preamp into my CJ amps sounds amazing too. It's great to have options to help you appreciate what gear you truly love.

I love my Class A (Pass XA60.5's) on my SF Strads and Harbeth 40.1's, especially with my GAT tube preamp.

Nothing is perfect, I love and look for a great treble and midrange. I'll give up a little on the bass to get that musicality that I love.
"06-02-15: Joeinid
Class D has gotten so much better, but in my opinion suffers from sort of a one-note bottom (some are better than others). Plenty of bass in Class D but not as much articulation and differentiation as from better solid state."

............................................................

I have to disagree with your bass remark. I believe you when you say some class D amps can have a 'one note bass' bottom end,but so do some tube amps and some A/AB amps I have heard over the years. I don't think it is so much the class of amp distinction per se... but rather the design implementation used in the amp.

I own the Merrill Audio Veritas mono block amps which are a class D design. These amps do the bass range like no other amp I have ever heard. They slam with total articulation of the lower registers... Of course I have not heard all amps out there but what the Merrills do is simply beyond reproach.
I see we have gone a long way past the amp recommendations. Allow me to throw my two cents in.

You like tubes and power. You love your CJs. You want some bass control. You would prefer to buy used like so many of us.There are several ways to go here. You like Manley gear. I would like to recommend the VTL MB-300 that are used on the Gon right now. They have all you truly need, and power to drive about anything. I have a pair, and I am delighted. The only caveat is you should replace the filter capacitors ($40x4 from Digi-Key) and do a couple CHEAP factory updates since they don't seem to have been done... and wallah, you've got your new amps. They are incredibly underrated also very inexpensive, and there is no question they are more powerful than the Manley 250. Granted the Manley has the EL-34 but you won't miss that. The amps will be dead quiet once the old filter caps are replaced.

I wanted Claytons myself, but I didn't get them. Holding out for Pass Labs, but I'm happy with my tubes, and I have a lot of them. I have both ARC Ref 610t and VTL Wotans, in addition to ARC Classic 150s, and the MB-300. (I obviously like tubes.). You should be able to sell your CJ for what the VTL will cost you...
Guys - Thanks so much for all of the great advice, ideas and feedback! Really - great stuff and I appreciate it! Well Here We Go - talk - about doing a total 360 - and going in a total other direction.

I am one of those guys that reads a lot and listens as much as I can to as much as I with as little free time as I have. I try to make calculated, smart, informed choices and allow my head to have a lot input in most cases but in this case I kind of shot from the hip and went with my gut / heart! Plenty of reading and some listening was def involved but it was a pretty big plunge so to speak I think.

I posted some of this info on my DAC thread but I wanted to share with you guys as it is an amp and speaker change that we were all talking about and wanted to share my change of direction with you.

Gone now are my preamps (ARC, BAT) my beloved speakers (Ascendo's) and amps (CJ's - Krell).

I have pulled the trigger on these new speakers and amps. Would love any feedback, recommendations or criticism's. I took a pretty big chance I think because my new speakers and amps are so different and such a change from where I was. They should be here later this week or early next week!

As yo know I was struggling to find the right amps for my speakers to the point of then getting into swapping speakers.

In a nutshell What I wanted was real driver control with grip, resolution, detail and great transparency that one gets from a high quality SS amp yet I also still wanted the beauty I had grown to accustomed to from my CJ tubes, the warmth and enveloping 3-D realness of tubes. I love tubes and did not want to live without that essential ingredient but I no longer could bear the trade offs. The slow and rolled off top and bottom with loosey, goosey bottom end. The 140 watt tube amp that was driving a 88 db efficient speaker with a tough Kevlar bass driver. Was I going to change speaker or amp or both.

My stated goal at this point was to try and find a speaker amp combo that could give me my tube glory and beauty I have grown so fond of but with Grip, Speed, Detail and transparency without having to spend an exorbitant amount on a monster tube amp.

I was first leaning toward Class A monster SS amps which started with this thread but not matter how good a SS amp is it is still not tubes. How do I get both. How did I get what I am after. I am not sure I have pulled it off or not but I took a shot on what I think maybe the solution.

I just went hole hog and pulled the Trigger and made the "HUGE CHANGE"!

Again, my new speakers and amps should be here later this week or early next week.

For the first time I am purchasing amps that were specifically designed and made for my speakers by the same designer from the same company. Something new for me!

That said my new speakers and a new amp are from a real small boutique company in India that I hope will allow me to pull this off:

Rethm Saadhana Speakers (2015):

The speakers are single / driver / high efficiency / wide banders with a self powered built in bass module.

Here is the info:
Rethm Saadhana Speakers (2015):
103db, 18hz-20khz, 8ohm
Minimum amplification power: 2 wpc
Full Range - Horn loaded labyrinth:(7" – 4") length
Full range driver: Custom designed 7 inch paper cone w/whizzer w/ Custom designed Self driven bass modules: 3 Bass Drivers per enclosure
3 x 6.5 inch paper cone
Sealed Isobaric chamber:
Bass labyrinth:( 4' – 8" )
w/ one monobloc per enclosure
FET amplifier
Max. output: 210 wpc @ 4 ohms
Dimensions: H x D x W : 3'-5" )x( 2'-4 ½" )x( 8.5" )
Weight per enclosure: 88 lbs

Here is the matching amp that comes in 2 boxes. 1 - box holds all the tubes and the other holds the power supply tethered by a cable. They look like mono blocks but are attached by the cable and it is an integrated, stereo amp.

Rethm Gaanam Integrated amp.
They don't list all the specs per say but here some info if your interested. It interested me enough to order these brand new speakers and amps and we have all chatted a lot so I wanted to share in the event your interested.

This is a pretty unique amp that was again voiced and designed specifically to match the speakers perfectly.

Here is the designer talking about designing the amp.

The criteria we started with were the following:

1. It had to be between 10 and 20 wpc.
2. It had to be Single Ended pure class A.

We use a unique circuit for the power amp section whereby the ONLY tubes are the output tubes. No gain stage tubes, no buffer tubes, no driver tubes. The preamp section provides more than adequate gain, and instead of driver tubes, we have small, custom designed "driver transformers". This enabled us to get a beautiful sound that had all the warmth and dimensionality that makes valves so unique, while enabling a clarity and dynamic that is not often found in traditional valve amplifiers. To enhance control, we decided on a solid state buffer in this amplifier. We also have zero feedback.

After much experimenting with several valve types, we settled on a single-ended configuration using the 6C33C valve. It produces 16 wpc. The 6C33C valve is, on technical spec's itself, an amazing valve. It has an extremely high Trans-conductance value ( in excess of 30 mA/V -- as compared to the 12.5 of a KT 120 ) which facilitates much better current flow. And, it has an amazingly low Internal Resistance ( 130 ohms -- as compared to 3000 ohms on a KT 120 ) which is almost comparable to solid-state devices! This enables a much higher speed of signal voltage transfer. It also has very low anode voltages ( 120 v -- as compared to most valves that go from a few hundred volts to in excess of 1000 v in the case of the 845 valve ) -- which makes it a much safer device.

The preamp section uses two 6922 valves, one per channel, and uses an extremely simple circuit. The power supply is choke regulated, and here again, we have zero feedback.

We also get all our transformers (the output transformers, driver transformers, power transformer and choke) cryogenically treated as we see a substantial improvement in performance with greater transparency, detail retrieval and delicacy to the reproduction.

Wish me luck guys. I hope this takes my rig to the next level.

Again, Any advice or feedback, criticism or anything is always really appreciated.

I know this started as a Clayton thread but you guys have been great and I wanted to share with you the direction I chose and why? Its scary and exciting at the same time and I think its part of what makes this hobby great!

Very interesting.... where did you audition these?
I never heard of Rethm before, but they do sound intriguing.

Good luck, I hope it works out for you.