Zu Dirty Weekend 6 went on sale today

@bourbonkernel 

I’m also interesting in these speakers. But I wonder how they treat poor productions? Do they kill everything that is not at least good produced?

Have you listen to any classical music? Some speakers makes violins just sound like strings without any body.

Do they sound as Darko Audio says about Soul 6: ”the Zu Soul 6 for me are closer to a scaled down version of a PA-system than any other speaker than I’ve had…”? I don’t want chamber music in a church or a jazz trio in a small club to sound like they are playing through a PA-system. 

Thank you very much for your opinions.

I don't suppose you have done any comparison with any Klipsch from the Heritage Lineup?

I've heard Heritage III, Forte IV and Cornwall IV and besides I feel they presents the sound a little too much in the face I think they all have a bump in the midrange that I don't like at all.
Will I feel the same things with Zu DW6 and Zu speakers in general?

@bourbonkernel 

Thanks for your thoughts.

Today I have Tannoy Legacy Eaton which I like, but they have a few drawbacks. They are just 89dB sensitive and my tube amp is just at 12w. I also think they are a little bit veild and a little bit too laidback.

I think my tube amp would love Zu DW6s 95dB sensivity. But will they be too much when it comes to soundstage? Hard question.

If I have lived in the US I had tried them out, but I'm in Sweden. Shipping cost, tax and fees will not come cheap.

​​​​Hmm...

@fendersrule ​​​​​​

They look very nice. How much for that finish? 

@fendersrule ​​​​​​

Everybody talks about how Zu speakers  sounds "live" and "being there" . Guess I'm stupid,  but sounds live how?  As being at a rock concert where they are using PA-speakers,  or a acoustic gitarr and song without amplification in a church,  or like listning to a jazzband in a small club or a symphonic orchestra in a concert hall...?
Please enlighten me.