Hmm, let me play the devils' advocate here. Maybe we're being myopic, not seeing the bigger picture. We at Audiogon are concerned with sound quality issues whereas I think the general music consuming public is caring less and less about such things. I work with lots of people in their 20's & 30's that are very well educated & are obsessed with popular music of all genres. As a rule, they couldn't care less about high fi issues. They do care about HOW they get their music delivered to them and vastly prefer their Ipods and computer hard drive storage/Itunes because of convenience. All they care about is maximazing file storage space and choose MP3 as a rule because it uses less storage space. This phenomena isn't limited to my friends, it's world wide. Loud bass and zippy treble with compressed sound cuts through the ambient noise that's the backround for most music consumers. People tend to use music as an sound track to daily life now, and they don't approach music listening as a passive activity requiring concentration. Even many older people I know have given up their component stereos for the convenience of the Ipod/Itunes music delivery systems. The audiophiles world is one of increasingly less less relevance I'm afraid.
Why Lots of Current Music Sounds Miserable...
Hi everyone! I haven't posted here for quite a while. While going through the pile of "Professional Trade Magazines" I receive at my video editing and media duplication company; I came across a copy of "Electronic Musician". As I'm sure you all probably know by now, the vast majority of recorded music being churned out these days is done on digital workstations. There on the cover in bold letter was the title - "Make Your Mixes As Loud As Possible". So next time you get a CD so hopelessly loud and compressed it makes your ears hurt, just keep in mind that that's what music
"professionals" are being urged to pump out.
"professionals" are being urged to pump out.