For me audio hobby was never about the "best" gear...
It was about the optimization of what we can afford for the sake of music ...
It was not about the wallet size but about creativity ...
It was not about "upgrades" but about the three working dimensions ways of control : mechanical,electrical and acoustical ...
I just listened to a 500,000 bucks system on youtube , very well known dude , and his room is atrocious, it is audible and clear in spite of his panels ... fatiguing system not because of the high tech gear but because he dont use the right method to make it more musical ... details are not music ... Price tag dont beat acoustics knowledge at all ...
Then listening to his system compared to mine at 700 bucks make me proud and happy ...😊 Incredible ... Because so good his system could be some big defect undetected by him even if it is evident are in my face not in his face because he look ALWAYS for more details not for acoustic musicality ...Acoustics is about musicality not details given by the gear piece he sell ...
We must quit branded name fetichism of the gear and of the tool, study acoustics which is not mere room acoustic panels ...
This hobby is about learning music and acoustic experience not about the 40 amplifiers someone could afford to try and compared ... Ridiculous obsession with no real learning ... The user manual is not acoustics book...
I learned a lot about the way to make any gear system optimally musical relatively to his level of quality/price for sure ...my gear value so good the design is are not Mile Lavigne ballpark ...( i respect him because he know a lot , it is evident when you see his dedicated acoustic room )
I was in the obligation to create a concept for audiophile because it does not existed here in this forum before i wrote it : minimal acoustic satisfaction threshold starting point which is determined by some optimal ratio between all acoustics factors implied for some gear/room/ears...This threshold passed is enough to be in sonic heaven with no frustration...Better dont means satisfying ...
Then we must learn how to work on these acoustic factors with the gear we own BEFORE any upgrade, if our gear is synergetical to begin with for sure...WE must train our ears with what we do first and last , not with what we buy ...
To do that we must identify these factors one by one in our system/room/ears and look how we can improve them one by one and all together ... Be it reverberation time, reflective ratio and location, dispersion , sound source dimension , listener location and envelopment, crosstalk, transients, dynamic, bass, pressure distribution zones, the 5 factors determining timbre , immersiveness in headphone and speakers...
Wwe must learn also how vibrations and resonance destruct the acoustic experience and how powerfully destructive is a too higher electrical noise floor of the house and of each part of the system ... We must learn about EMI and unusual device to control the room atmosphere as ionization and schumann generators...We must become creative and think ...Forgetting to be passive consumers frustrated because we could not afford a Dartzeel amplifier ... I dont need that to be proud and in a relative sonic heaven .....Trust me happiness can only be born of thinking and creativity not from money most of the times ...Money can help at best ...