So when I got the Bryston amplifier, I thought, since it was more powerful, put on really powerful music that will take advantage of it like the Conan soundtrack.
I put in the Bryston, cranked it up and…huh? Where was that power?
Why did it actually sound thinner?
Less impactful?
Man, I love that soundtrack. And film.
Yeah, another way I can put my experience with various amps - push pull tube amps tend to sound "good to the last drop". I listen loud and I’ve pushed hard on some vintage PP tube amps in the 20 - 35 Watts / ch range. Until you hit hard clipping, they sound amazing (euphonic) all the way through. Sweet, fat tone.
With solid-state there’s more of a phenomenon like: when you crank it up, you start hearing stuff presented in a way that makes you want to back down the volume again. This can occur even when theres’ still AMPLE power reserves left before approaching hard clipping limits. With tubes, you may keep wanting to crank it up until you actually hit hard clipping.
Probably due to a combination various factors - like harmonic distortion spectrum (which Ralph has educated many of us on), and possibly some dynamic compression with tubes (as another poster mentioned) that can actually work toward the presentation’s favor in some instances. "Loudness wars" with regards to digital mastering gave dynamic compression a bad name, but it’s not all bad.