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Why Do Cables Matter?

To me, all you need is low L, C, and R. I run Mogami W3104 bi-wire from my McIntosh MAC7200 to my Martin Logan Theos. We all know that a chain is only as strong as its' weakest link - so I am honestly confused by all this cable discussion. 

What kind of wiring goes from the transistor or tube to the amplifier speaker binding post inside the amplifier? It is usually plain old 16 ga or 14 ga copper. Then we are supposed to install 5 - 10' or so of wallet-emptying, pipe-sized pure CU or AG with "special configurations" to the speaker terminals?

What kind of wiring is inside the speaker from the terminals to the crossover, and from the crossover to the drivers? Usually plain old 16 ga or 14 ga copper.

So you have "weak links" inside the amplifier, and inside the speaker, so why bother with mega expensive cabling between the two? It doesn't make logical sense to me. It makes more sense to match the quality of your speaker wires with the existing wires in the signal path [inside the amplifier and inside the speaker].

 

 

kinarow1
decooney
1,973 posts
 

@jasonbourne71... "In use the AQ Silver Extremes sound fine! I am not so neurotic to lose sleep worrying if some other brand of interconnects sounds better!"

 

There you go, a nice cable that you like. That’s what matters most. Many have compared this cable to others since 2010 and like it too, and no lost sleep 👍

 

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madcow
42 posts
 

Imagine a military parade, the whole column marching in sync. Imagine the same column marching into obstacles, what happens? Imagine each man is an electron in the cable. See it?

thyname's avatar
thyname
3,107 posts
 

The ones who can’t hear the difference wage the most ferocious fight. 

 

I respectfully disagree. From my experience, the most ferocious keyboard warriors / fighters in audio forums are those who don't even listen to music in ANY decent home stereo. Audio forum trolling and fighting IS their hobby

donavabdear's avatar
donavabdear
500 posts
 

If you understand the principle that the original recording can't be made any better (you can't add information) to the signal then audiophiles should know that no recording studio uses boutique expensive cable. So cables that are more expensive than the original recording studio or production cables are illogical. Where am I wrong? 
 

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