Why do almost all women today hate home audio?

I'd have to agree that, in almost all respects, this is a niche market. Few people care enough to truly devote to it. Let's just accept it and continue on our merry way.

@robertgagnon - Happy to help provide some enlightenment, Robert - I don't get many chances to do that! 🤣

In the 50's and I was a kid, a friend of the family had a mono setup with JBL speakers and McIntosh tubes. I was blown away by the sound. Then the stereophonic LP came along and our friend went to a stereo set up. I was more blown away. These two systems were so superior to anything else out there at the time high end audio really was something. There were several stores in my town with listening rooms of escalating quality and cost where one could really hear difference in sound.

Now 65 years later with today's low cost electronics and speaker manufacturing techniques one has to really listen for differences between a low and high cost system of the same sound pressure level capability, so many people are happy with Best Buy or Amazon.

Still a great hobby for some though.

@whart Gotcha.  
Thanks for the response.  
Archival preservation and library science for “music stuff,” or strictly “law stuff,” or both?   
The former sounds like a pretty cool profession to me.  

@tylermunns--There is so much I'm interested in; audio preservation and digital standards, film preservation and ephemera; I just finished helping out somebody at UCLA on the history of music for early TV; the law stuff gives me certain advantages only because I did a lot of historic due diligence on big music catalogs, early photography, ancient manuscripts, pulp magazines, film, etc. One area that fascinates is the taxonomies for AI-- aside from the legal issues of "ingestion."

The audio archivists are very much like audiophile historian/archeologists. I did a piece some years ago about visiting the Packard Campus in Culpeper, which is the intake facility of the Library of Congress. Those guys had dream jobs--we sat in with an engineer who was reconstructing the Les Paul overdubs made direct to disc (before Les had access to a tape machine). He'd cut a track on a homemade lathe, then play it back on a phonograph while playing an overdub on a fresh lacquer. This stuff was eventually released commercially as two songs, but the discs to make them filled 1/2 a library cart. The engineer was figuring out which disc came before another. Of course, they had all the cool toys, as well as a sort of museum of stuff from the beginning of recorded sound. 

I guess this would complement what I did as a lawyer- but I stopped the actual practice of law, as such. (Still keep my license active in NY but what I would be doing is expert work or consulting, but not acting as a legal beagle as such). We'll see.....

Thanks for asking.