Rx8man:
I never thought of that in this way. Excellent!
I never thought of that in this way. Excellent!
Who's with me?
I was just listening to a $2.00 record store find I purchased around 1 year ago. It so happened that the power was out while I was there, but by chance I purchased among others, Rush s/t lp. After I arrived back at the homestead, I realized it was a early pressing,(A1).
Fast forward to today. While listening and really enjoying this lp, I thought that wouldn't it be great if modern lps sounded this good!
No sign of compression, (Did we even know compression existed back then?) Dynamics in spades, soundstage: very, very good. Bass, yes!
So, what may I ask is lacking now? That is the quest we must all participate in. Doing our best to make record companies/labels realize that 'sound quality' equals record sales/satisfied customers. We all win!
Fast forward to today. While listening and really enjoying this lp, I thought that wouldn't it be great if modern lps sounded this good!
No sign of compression, (Did we even know compression existed back then?) Dynamics in spades, soundstage: very, very good. Bass, yes!
So, what may I ask is lacking now? That is the quest we must all participate in. Doing our best to make record companies/labels realize that 'sound quality' equals record sales/satisfied customers. We all win!
10 responses Add your response
Lowrider57, don't confuse data compression (mp3s) with audio compressors/limiters. Go to the end of this article and listen to some samples of audio compression on a drum loop. |
You're right, Onhwy61. There was always some compression used in the mixing process, but with today's recordings the final master gets additional compression onto a digital file; and various compression rates according to it's final medium...cd, sacd, downloads, vinyl. And yes, I agree there was a lot more noise and distortion in those older recordings. |
Since a lot, (most?) of 'Audiophiles' spend mega bucks on the playback gear and just a pittance on the playback media, i.e. the lps, why should the labels go through the trouble and expense to do it right. If you paid several thousand dollars for your tonearm and many thousnads on the rest of your system, and you only own a few lps, used mainly to demonstrate, or showoff your system, you have your answer. Cheers |
Back in the 1960s the Motown Sound was considered highly compressed. The Beatles recordings were noted for their use of compression overdrive. Early Who recordings were rejected by a mastering engineer due to high levels of distortion in the recordings. Digital recording technology has made it possible to basically have recordings with zero dynamic range, but the use of compressors and compression effects has been with us since the early days of rock. |