Who's Gone Topless?


The idea of this goes back decades. Amps and preamps (for the most part) are designed on chassis free breadboards, then voiced, THEN are packaged inside a chassis, which can be the weakest link to hearing what the designer intended. In most cases the chassis sidewalls and bottom are essential, but the top?


First off, beware that doing so will likely affect your mfg warranty, but, if you live in a pet-free, child-free home, then the benefits can more than offset concerns about something getting in that could harm the components. Case in point my Ric Schultz Class D EVS 1200, dual mono IcePower 120as2 modules. HOWEVER, unlike others using the same or similar modules, Ric then sprinkles many decades of modifying pixie dust all around them which are mounted inside an understated (sans bling) Italian sourced chassis.

When I ordered mine it was mandatory to purchase 2 Cubes ($200) which are to be butted up against each board, requiring the owner to remove the top. After doing so, I was anxious to put it in my rack so I could properly isolate it from bad vibes, when I should have listened with and without the Cubes and top.


Ric is also a proponent of weighing down components, but due to the unnecessarily large chassis, it barely fit in my rack, but I had a 5 pound divers belt lead weight that I squeezed in. Now, because RIc chose to put the mute toggles on the back I placed the amp on the first shelf from the rack's top (but out of sight out of mind: I never mute it when done listening), upon which was my CD player/Transport, which I raised up to provide ~ 2" of air space above the top of the 1200 and the bottom shelf of the player. Even though the rack is open on all sides with plenty of air space all around the rack, the amp ran warm

Fast Forward to yesterday. I was listening to Leonard Cohen Essential songs, mostly instrumentally sparse. I removed the weight; and found the music much more open sounding. Encouraged, I FINALLY removed the top. Honestly, I was not prepared for how HUGE doing so could be. It was like the music went from a confined space to an open air 3 dimensional venue. This is so amazing that I am going to get a handle on it via different music before removing the Cubes. Oh, and the amp is now cool as can be. 


So, if interested, stay tuned
tweak1

Showing 11 responses by tweak1

Without responding to anyone directly, but reading through the comments...

* the bass actually has more slam and is more articulate/authentic sounding sans diver weight


* the resultant sound can be likened to previously the microphone/s were wrapped in a towel which muffled the entire 3D soundscape


* From day 1 owning the EVS 1200 I said the chassis is unnecessarily large, (and the lid has no vents)

* The entire chassis is made from the same material, so why would the lid be the big offender

* I am going to get a central air conditioning filter which SHOULD keep dust and mites out while letting hot air escape

* several months ago a friend brought over his laptop which he uses to make live recordings, so it’s not just any old laptop. First we listened through my CD player. When he hit play on his laptop my jaw dropped. After a few notes, I looked at him with jaw dropped.The expression my face said it all, "one giant step" for music playback. BUT, I have 1000+ CDs and am not inclined to transition from them. BUT removing THIS lid brought me a lot closer to the laptop experience

Should go without saying, but YMMV
It’s unfortunate that the the OP intro (in this instance ME) can’t be edited. I had several edits that would have helped, but NOoooooooooooo

Anyway, a correction: the top has SOME slats (1+" ) across the back, clearly not enough, but even if there was 2,3 or more times the amount doesn’t mean that would produce the benefits removing the top did

Last night I listened to James Taylor Gorilla album/CD. I even owned the album way back when. It’s one of my fav songs, meaning Ive listened to it literally hundreds of times. The whole album sounded new to me last night. This morning I removed the Cubes without any loss of musicality and replayed a few cuts, including Gorilla. No negative result to my ears, and quite possibly another lifting of the veil


hth
Jetter
I have owned PS Audio  (M700s and GCC 250, which I still use in my TV system), W4S both stereo and MC 250/500, Emerald Physics monos, Audio Alchemy DPA-1- all class D. I never thought to go topless with them

NONE of them generated anywhere near this level of heat
I don't have the answer as to why, but pretty sure removing the top helped immeasurably, not only to the life of the modules and related parts, but most certainly to vastly improved sound

YMMV
@glupson4 what was your experience placing a ac filter in place of the metal top plate?


To the person who mentioned that chassis are made/built specifically for an amp, this is not one of those. While it was ordered from Italy, it is not machined from billet to snugly fit the parts

I got a 3M filter but it doesn’t pass the heat as much as I would like and after being on for awhile, it smelled from a reaction to the heat. I need to try a plain fiberglass filter, which I know has considerably more air space. Worst case I only put the filter on at night


Back to what Im hearing: one of my torture cds is Jennifer Nettles Playing With Fire. Some of the cuts are downright brutal, to listen to, that is until last night. Though the terrible cuts still sounded bad, her voice and the instruments did a much better job of separating, which allows subtle ques to be easily heard.

So far, every disc Ive played has brought me much closer to the actual recording event. For those who are motivated, feel free to add your comments, pro or con


Geoff, As you know I have New Dark Matter in my Oppo tray and it sits on your springs, but if you know that removing its top cover will release a bunch of nasty stuff scattering around inside, I will do that today. Emailing me would be faster, but you could reply in both places so others might follow suit
Yesterday afternoon I took the cover off my 105


Nothing like the crazy opening up and improved SQ that removing the lid and Cubes did


BUT micro-details are now evident. Examples; when a snare is being brushed, and the handle is used to gently tap the rim and skin, I actually heard the skin vibrate!, or when a singer starts to sing in a low voice, the first syllable is more easy heard and understood, and more separation of the instruments/singers

As always YMMV


hth
@glupson I did not find an exact 14 x 17, so I settled for a 20 x 20.  I simply place it on top of my rack, which leaves a small amount of air space, but this filter is a micro for preventing dust from passing, but, it does keep most off the heat in, so I am only using it when done playing, I mute the modules and put the filter on top. I plan to get to a hardware store to see whether they have fiberglass filters which are more porous, and so will let more heat escape so I don't have to mute when done playing
+1 lwal22  Thanks.


The naysayers don't bother me. I am confident that I know what Im hearing- good or bad, but in this case exceptional. The best part is it costs NOTHING to try. Oh and dark chocolate takes it to another level of satisfaction ;)
I neglected to add

Last night I listened to the SACD version of Blood Sweat and Tears, originally recorded 1968, but this is a Legacy DSD remaster 2000


This is one of the discs I always spin after making a significant change. Never ever ever has it sounded so open and spacious as it did last night


hth
I replaced the first filter with a simple fiberglass filter. After listening last night I did not mute the modules, and checking this morning the filter is barely warm


hth

Immature? LOL,

Having owned Stillpoints with Risers, among many similar devices, I find Machina Dynamica springs to get at the heart of the matter for maybe 1% of the SP prices

AND, if you’re spinning CDs, his New Dark Matter is a revelation
jetter,

very interesting!
Geoff, et al,
Open Baffle for the win! Money goes to better drivers and XO