Which Harbeths?


Trying to decide between the the M30.1/2 and the C7es3/XD. I’ve researched it a fair amount and I’m coming up a bid confused. Like most things it seems people have conflicting opinions. I’m coming from using various Totems for the last decade. I also just had a pair of Dynaudio special 40s for a short time before selling. I found the 40s were better at playing louder and had a bit softer top end, but overall just lacked that something special, ironically. What I’m really after is that just rightness I get with Totems. While I find there top end a bit much I’ve been willing to work with it because of the just rightness I personally get from them. My wife likes to say they sing which I think gets the just of it as well. Harbeth has sounded very attractive to me for a while and hope to find another version of a special speaker in them.  One that hopefully is a bit smoother in the presence and treble areas while also being very engaging and musical. I use a McIntosh mc302 and C46, so plenty of power for any of the Harbeths I’d think.  Anyways, I’d appreciate any feedback in these two models I can get. Anybody who has experience with both Harbeth and Toen I would have particular interest in your take. I live about 4 hours from any dealer and I don’t like to waste their time since I will inevitably buy used anyways.  
brylandgoodman

Showing 2 responses by avanti1960

I owned the C7ES3 and absolutely loved them- amazing midrange and a smooth rich overall tone with a perfect tweeter that added just the right amount of cymbal sparkle.
The 30.2 are very good but can be overly smooth.
The choice could come down to amplifier and room size.
The C7’s sound best with a more neutral transparent amplifier in a slightly larger room.
The 30’s sound good with midrange forward amplifiers in a slightly smaller room.  

congrats!  the C7s are incredible speakers.  
they are also very rich and refined, which really is not a bad thing.  
refined is not the absence of excitement and dynamics.  refined is walking the thin line between detail and forgiving so that even bad recordings sound good and there are no frequent irritants in the sound.  Harbeth walk that line like no other.  
You can greatly offset any overly polite sound qualities with your amplification which is unfortunately very polite to begin with. 
definitely listen with the grilles off to add dynamics and transparency.