What’s really hurting the audio hobby?


Maybe it’s the audio dealer experience? Where else can newbies go to get started in this hobby. Isn't that where most of you got hooked?  Let me describe my latest visit to an audio store nearby. I won’t use the store name here, as that’s not the point.  Where I live there is really only one audio store left. That’s strange because I live in a very wealthy community. The Friday after Independence day, me and a friend went to this local audio store.  First time back there in years. We are both looking to upgrade. They have 3 audio rooms and two home theater rooms. The hi-end audio room (the store’s term) was an impressive room with extensive acoustic treatments. Mostly McIntosh gear. Sitting in the listening chair, you are looking at 600 watt Mac monoblocks running some nice tower speakers. A massive JL Audio Gotham subwoofer unit sat front and center facing the only listening chair. The McIntosh turntable was spun first. Sloooowww. It took my friend less than five seconds to point out the TT was running slow. The salesman had started to play Pink Floyd-Wish You Were Here, and it was noticeably slow. So the salesman flipped the switch to 45 rpm. Yes, that happened. He figured out it was too fast all on his own. Fiddle and poke at the TT for a bit and then the salesman said- "I’ll let them know it’s broke". Then he said he would just stream some music from a server. Bass! All you could hear was bass, and NOT good bass. He turned the subs down a little when asked, but all you could hear was tubby, muddy bass. The big tower speakers were overpowered by the sub.  I really wanted to hear what the main speakers alone sounded like, but could not get the salesman to shut off the subs.  On to the mid-fi room (the store’s term). The salesman tried to play us two different turntables. Neither turntable worked. One would not power up, and one was not hooked up to a system at all. Let me point out we didn’t care what source they used. I did say we both run analog and digital sources. Nothing interesting in the mid-fi room the first time through. Next room (no name) was a wall of bookshelf and small towers run by a wide selection of integrated amps. Not bad sound from some. Again, we were told this is “streaming quality audio”. This was the third time he mentioned we were listening to streaming quality audio. I took a guess at what that meant and asked if we could hear higher quality audio. So he took us back to the mid-fi room. He popped in a CD.I could not tell what CD equipment was being used. I think a Rotel integrated was selected. Everything in the cabinet was black faced behind dark glass. Not sure what CD it was either, but since he only had one, I let it go.

Big change! The Paradigm towers were now making good sounds. A big difference from his “streaming quality” demo. Next we switched to a pair of GE Triton 1s. I seriously might get a pair! They make nice sounds. By far the best thing we heard. There was more that happened that contributed to a poor experience, but I will move on.

Here is my point- What would anyone new to the hobby think of that experience? It took two seasoned audio guys pushing the salesman for over an hour before he played anything worth listening to. Would you buy anything from this place. Would you send a newbie in there? Let me know if I'm off base in thinking these audio stores are killing themselves off by the way they do business. Or is it just my misfortune that I have not been in a good dealer showroom in years?

vinylfan62

Showing 3 responses by bdp24

In the 1960’s, the home of everyone I knew had a console TV/radio/record player. That’s what all we kids played our 7" 45’s and LP’s on. In the summer of ’68, I heard my first component system: a good friend, who had left San Jose in the fall of ’66 for the bohemian beach town of Santa Cruz so as to not have to, like David Crosby, cut his hair (Cupertino High had a dress code, Santa Cruz High did not) had found a transcription turntable (a green felt mat glued onto it’s huge steel platter) at a local radio station in the summer of ’68, and then bought a Scott 299C and Scott 2-way bookshelf loudspeakers to go with it. Best sound I had ever heard!

Hearing that system started me down my own hi-fi path, which was kicked into high gear when in 1972 I discovered a little magazine put out by a guy on the other side of the country, who went by the odd name of J. Gordon Holt. Why put the J there if you’re not going to use it, I wondered? Anyway, by the time I was putting together my first big system (ARC electronics, Magneplanar Tympanis, Thorens/SME/Decca) in ’73, my friend had become more interested in the recording of music than it’s reproduction in glorious hi-fi sound. He never progressed beyond the mid-fi level. But he’s got a pretty nice recording studio in Los Angeles ;-) .

Anyway, my point is that he and I were the only two people in our circle of friends (almost exclusively musicians) who had anything approaching a hi-fi. Hi-fi fiends have ALWAYS been a tiny minority in the music loving community, which is itself a minority of humanity. Is the current situation so different?

Audiophiles in L.A. have Audio Elements in Pasadena (Brooks Berdan's son), Brooks Berdan Ltd. (Brooks' widow Sheila now manages the shop, and still has expert repair technician Tom Carione and vacuum tube expert Joe Knight on staff), Optimal Enchantment in Santa Monica (longtime ARC/Vandersteen dealer. Owner Randall Cooley is a fantastic guy), Shelley's Stereo in Woodland Hills, and a couple of newer one-employee shops that have great lines (EAR-Yoshino, Townshend) that I didn't visit before I left town 3-1/2 years ago.

Southern California has lots of good hi-fi dealers, and lots of audiophiles. It spoiled me, as did Northern California (another audiophile haven). It’s a different scene here in Portland, and Seattle is quite a drive. It’s okay for me (I have all the gear I need), but it can’t be helping keep the torch alive, if there’s one to be kept.

I’m not sure younger people can sit still long enough to have any use for a good hi-fi. They’re so distracted: constantly fidgeting, checking their phone, texting about who knows what. Plus a lot of the music I hear them listening to would not really benefit from a higher-quality system, it seems to me.

But ya know, audiophilia was always a minority passion. Those who sincerely care about sound quality will find their way to it. Whether or not there are enough of them to support the high end industry remains to be seen. But I won’t be here to find out ;-) .