Sounds like a mis-match to me. I don't think it's power-starved clipping at all, but a disparity between the output impedance of the passive pre-amp and a low amplifier input impedance. If the RB-981 has an input impedance of less than 47K ohms (26K, 32k ?), then it very well could be the source of distortion at moderate volume settings. This could also be made worse by long interconnects and the 86db efficiency of the NHT's. Just runs out of steam...
What's My Problem?
OK, here's the situation . . . . hoping some of you with more knowledge and experience than I have can help me out.
On 2-channel listening, my system sounds great at low levels -- say at 9 o'clock or less on my VPC-1 passive preamp volume. Lots of openness and air, good imaging, lots of space around instruments. Of course, dynamics and bass suffer, but that's to be expected.
Between 9 and 12, the sound starts to get harsher and the soundstage begins to close up -- orchestral stuff sounds much more confused and congested. Above 12 o'clock, it's really not worth listening to.
These aren't very high levels -- 9 o'clock is my "late night with the wife sleeping down the hall" listening level, and 12 o'clock doesn't get Verdi's "Requiem" to real-life SPLs.
My first assumption is that my amplifier just doesn't have enough juice. But the RB981 puts about 200 wpc into a 4 ohm load, and I would think that would be enough to get to at least decent levels, even with my admittedly power-hungry NHT 2.3As . . . .
Alternately, I thought that maybe the 9000ES/RB981 combo wasn't ideally suited for a passive preamp. I understand that component matching is critical here, but I'm not really clear on how it works . . . . the volume gets loud enough with no problem, it's just that the quality suffers.
Then again, it could simply be "louder=more annoyance from digital harshness," and I need to replace the 9000ES with a better Redbook CDP. But it seems to me that if the CDP was to blame, the soundstage and "airy-ness" wouldn't change much as the volume increased.
Suggestions would be greatly appreciated!
Thanks!
Pat
On 2-channel listening, my system sounds great at low levels -- say at 9 o'clock or less on my VPC-1 passive preamp volume. Lots of openness and air, good imaging, lots of space around instruments. Of course, dynamics and bass suffer, but that's to be expected.
Between 9 and 12, the sound starts to get harsher and the soundstage begins to close up -- orchestral stuff sounds much more confused and congested. Above 12 o'clock, it's really not worth listening to.
These aren't very high levels -- 9 o'clock is my "late night with the wife sleeping down the hall" listening level, and 12 o'clock doesn't get Verdi's "Requiem" to real-life SPLs.
My first assumption is that my amplifier just doesn't have enough juice. But the RB981 puts about 200 wpc into a 4 ohm load, and I would think that would be enough to get to at least decent levels, even with my admittedly power-hungry NHT 2.3As . . . .
Alternately, I thought that maybe the 9000ES/RB981 combo wasn't ideally suited for a passive preamp. I understand that component matching is critical here, but I'm not really clear on how it works . . . . the volume gets loud enough with no problem, it's just that the quality suffers.
Then again, it could simply be "louder=more annoyance from digital harshness," and I need to replace the 9000ES with a better Redbook CDP. But it seems to me that if the CDP was to blame, the soundstage and "airy-ness" wouldn't change much as the volume increased.
Suggestions would be greatly appreciated!
Thanks!
Pat