What is stopping the ultimate?


Ok, I know when it comes to building a system with regard to the regulars on this site,I am out of my depth in terms of experience and experimentation but I'd be really interested to hear from those who have spent many years building a system what they would consider it is in the world of hi-fi that really needs to be improved and available to us.
Is it a multi-format digital source?
New amplification?
A new type of speaker?
Whatever it is I'm interested to hear from those who have searched for the holy grail and found in their experience to be the limiting factor in their search.
Remember no wrongs or rights only the story of your journey and what you've found-inconclusive or otherwise.
Tell us,please.
ben_campbell

Showing 1 response by gregm

Further on Bishop's & Clueless' points on amp-speakers interaction: one of the reasons high nominal power amps have a market IMO, is the current reserve the manufacturer has to include in order to achieve specs such as (fortuitous example) 250W class A, measured @ 1kHz signal/8 OHM constant resistance. This power capability allows these machines to perform under normal listening conditions at reasonable db levels and deal with the varying speaker load (+ the crap from the c/overs).

Similarly, with tubes: allegedly, many of the power supplies provided for an advertsied output of 2-digit watts the power supplies are overkill -- according to traditional EE theory. This comes from hearsay, I'm not an EE...

On the other hand, for me, the original question still stands -- bar active speakers and our zero control over recording and s/w production phases: where's the ultimate?