@millercarbon I agree, but I want to see if others feel the same way. I have recordings that were very well recorded with very wide and deep sound stages that don’t use this technology. There was a very good engineer at the board. I personally liked it on Amused to Death, but on the others it sounded over used. Do you think this technology could be used as a crutch in place of a good engineer and we will see more recordings in the future using it?
What do you think of Q-sound recordings?
I have four Qsound recordings now and it has expanded my sound stage dramatically. Amused to Death by Roger Waters, Soul Cages by Sting, The Immaculate Collection by Madonna and a Roger Waters live album are the recordings I have. Just curious if you think this is just a gimmicky process that will pass, or do you think we will be seeing many more recordings using this technology?