What do the different tube amp types mean?


Can someone please explain in simple terms what the different Tube amps do and soundlike? ALso, what makes a Tube different from another? >> SET, PushPull, Triode, Pentode, Ultralinear, Class A, etc;
bbchem
notnow2,How did you know that is not practical?I also designed & build  one with interchangeable output tube using only one of either VV52B,,300B or KT88.With proper design,you can use any power tube to make an OTL.
there are no practical OTLs using 300bs, 211s or KT88s; just for the record???
Correct; for example at one of the links above, there is a 300b-based OTL. It uses 4 power tubes per channel and makes 6 watts per channel (for comparison an SET using one 300b will make about 7 watts). We built a 300b OTL about 20 years ago and got a similar amount of power. If you have an idea of what 300bs cost, and compare that with the cost of the same number of 6AS7Gs (which can make 20 watts into 8 ohms), you see how this is a pretty good example of the word 'impractical'. 

You run into similar issues with the 211, KT88 and for that matter most of the power tubes commonly in use today. If you want to make a practical OTL amplifier, the three tube types most suited (due to availability and efficiency) are the 6AS7G/6H13C, 6C33 and the PL519.
Ralph,The OTL is only using one DHT tube and 2 other tubes,3 tubes total per ch.,Audiophiles are looking for the best sound, just like the Atmas,that you claimed they are the best for the money.Are we  looking practicality or sound quality?
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Hi All,

Right now I an listening to Jimmy Rogers "Blue Bird" and am rocking! 

I recently pulled the trigger on a pair of Klipsch Forte iv speakers (8 ohm and 99dbl efficient) in order to hear what more efficient speakers can sound like. This is with a CJ LP66S amp, which at 60 wpc, is much more than enough power.

Anyway, I am liking what I am hearing and wondered what tube amp topology is a "better" fit for a horn loaded speaker? And, in layman's terms why is this so?

I think I read somewhere that less negative feedback is important for horns to sound good. Heck, I do not even know what topology the CJ amp is so I am looking for guidance. I can tell you the Fortes are awful with my McCormack DNA-500 amp, which sounds wonderful with my power hungery Thiels.

Thanks for listening,

Dsper