While I largely agree with your post, I’m skeptical that acoustics expertise and an affinity for high-end gear are mutually exclusive.
I like gear. I appreciate rigorous engineering and elegant electronic design, I see beauty in impeccably laid out PCBs, in spotless soldering, in the tactile feel of an otherwise alarmingly expensive analog volume control, in aesthetically pleasing industrial design, in the heft of a massively well-built component, in how precisely components and panels fit together, even in a designer’s electing to eschew ICs in favor of rows of discrete semiconductors.
I hope to learn more about acoustics, but until then I agree with you that merely throwing money at an audio system is counterproductive and gauche.
Acoustics concepts are necessary to understand what we hear and how...
It is never exlusive from Gear design expertise at any price...
My point is people underestimated acoustics versus gear design...
Price dont matter, what matter is what can we do to optimize any system at any price ...
How can you decide what is best if we dont unbderstand the acoustics concepts of Timbre for example or the acoustics concepts related to spatial sound many attributes and how to use the associated parameters? Most decide by purchasing costlier components to change the place of hurt...They dont study sound parameters with what they already own...Marketing conditioned the mind not sciencve and experiments..
Anyway we are on the same opinion :
I hope to learn more about acoustics, but until then I agree with you that merely throwing money at an audio system is counterproductive and gauche.