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VPI Fatboys versus others in its' tonearm weight class.

In their never ending quest to push fiscally responsible audiophiles into bankruptcy, site members have succeeded in making me consider a new gimbaled tonearm to keep a Lyra Kleos company on a VPI Classic 2 turntable. Dover, on my previous thread, pointed out most other tonearm options would be limited on the Classic 2 short of major surgery to it. So here I am considering keeping the tonearm upgrade in the VPI family. Their gimbaled Fatboy, will readily fit onto the VPI Classic 2’s tonearm base without any fuss.

Here’s my question after reading up on the Fatboy. How does the Fatboy compare with other tonearms in it’s $4500 price range? Is it about average in that class, which would be acceptable, or is it much better or worse than its’ peers?. If you.ve had any chance to compare the Fatboy with other tonearms in the same price range, what is your impression? I don’t want to spend that much money on one if the consensus is that it’s at the bottom of its class, which hopefully it isn’t.

I haven’t had an opportunity to listen to one, or any other tonearm as expensive. I would likely need to arrange a two day road trip to accomplish that. In lieu, I’m soliciting your impressions as to whether the Fatboy is worth that much compared to others in it’s price range. I guessing it will be okay, but don’t want to spend $4500 if the consensus is it’s at the bottom of its’ class just because it fits easily on my turntable. So what do you think? I’m all ears.

I’m not looking here for alternative solutions to a Fatboy. That was the topic of my recent thread, I’m only soliciting your impressions of the Fatboy compared to other similarly priced tonearms, and why I should or shouldn’t take a chance on it. Thanks all,

Mike

skyscraper

Showing 1 response by fsonicsmith1

fsonicsmith1
101 posts
 

I did the VPI upgrade route too starting with a VPI Classic with unipivot 10.5 standard arm and ending up with a Prime with 3D arm before moving away from VPI. I did feel that the printed arm was significantly better than the aluminum arm, both of which were unipivot.

My next move was to have Greg Metz rebuild my Thorens TD124 with custom bearing and platter and mount a Reed 3P arm on it. This is where I came to believe that the tonearm has a tremendous role in ultimate SQ. There was a huge leap up in sound quality-more meat to the bones, more integration of sound, just better music, all using the same cartridges that had been in my stable-Benz Gliders and Ortofons. Since then I have gone up in the cartridge tier ranks with a VdH Crimson Strad and Lyra Etna Lamda. Then I added a Greg Metz Garrard 301 with upgraded bearing and platter and with Reed 3P and now I am off the upgrade path for good (as it pertains to drives/tonerams). 

I have mixed feelings about VPI. They are good in a lot of ways and have shortcomings. The tonearm designs are not up there with the best, but that is just my humble op. 

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