Vintage Japanese DD Consult and Suggestions Please


A little over five years ago, I worked with Chris Harban at Woodsong Audio to craft a bespoke Garrard 301 for me and my my vinyl collection. I had previously had a Dual of some model followed by a Thorens TD 160 with a nice Ortofon Black MM cart. The 301 was completely restored featuring a heavy mahogany plinth, Ortofon AS 309S tonearm, and Ortofon SPU head. I have completely blown away with how this table has sounded and looked. The sound was huge, rich, and detailed...everything that I heard that idle drives from this era should sound.

Unfortunately, some family health matters have forced me to liquidate some much revered audio gear, and recently placed my Garrard 301 up for sale. I do not wish to be without a way to continue to enjoy my collection and would somehow like to come as close to the performance of the 301 for around $2500 or so. 

My considerations (thus far)for this change are as follows,

Denon DP80

Technics SP10 Mk 2 or 3

Technics SL 1000 Mk 2

Luxman PD 444

As you can see, I am curious about the more vintage looks and sound of the direct drives coming out of Japan, and am hoping to glean from this audience which of these units may provide me with the same (or as close to)level of enjoyment that my 301 has done. Thoughts on tonearm and MC cartridges pairings with each would be helpful.

I am not really considering anything belt driven at this time for whatever reason, or a deck that veers away from a traditional turntable aesthetic.

If it helps, the rest of the signal chain is as follows.

Aric Audio Motherlode preamp

Manley Steelhead phono pre

Aric Audio Transcend EL 34 push/pull amp

Klipsch Forte iv speakers.

 

I am grateful in advance for your thoughts on this matter.

 

 

laaudionut

https://hifi-wiki.com/index.php/Technics_SL-1200MK4

MK4 was an adoption of verified by DJ's hard usage design for audiophiles, with adding very expensive titanium arm, RCA on bottom of arm, 78rpm option, and heavy mat. end of 90s that table was priced ~ 1200, which is approximately four grand today! Number of units released was very limited..

SL1200G/GAE is nice, but cost is x3 times of MK4..

The main issue in buying vintage electronics is reliability, aging major components in it, and expensive repairs.. there are not many techs left these day, who can help, unfortunately..

The G series is night and day better than any of the 1200 series and its numerical derivatives. This is opinion based on facts. Better (coreless) motor. Better more massive and damped plinth. Improved platter and tonearm. Much better electronic speed control. Technics “mistake” from a marketing point of view was making the early and later G series look so much alike. Yet I’d bet the G series sells very well for them.

So despite my reservations about the aesthetics of the newer Technics, The thought of performance coupled with a turnkey approach has its advantages. If I am able stretch what I believe will be my budget, there are new Technics SL 1200G's on several Japan based eBay sites. Obviously I would need to operate this through a step down transformer...are there any disadvantages to purchasing a unit from Japan and running it in this manner that I should be considerate of?

laaudionut, ls1200g power supply design covers 100..240V 50/60Hz AC, I haven’t found power board difference between diff markets targeted product, in service manual.