Trouble with sag is that unless with golden ears or scientific equipment and knowledge to measure, we will never know if metal contact occurs ? Cheers.
Victor UA-7082 Arm, Rubber Washer at Rear Counterweight Tube: Sag/Repair/Fitting Damage.
Victor UA-7082 Arm, Rubber Washer at Rear Counterweight Tube: Sag/Repair/Fitting Damage.
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The Large Plinth with UA-7082 I bought arrived, the plinth, legs, dust cover seriously damaged. Insured, at UPS for damage claim now.
The arm, before I bought it, the counter weight tube was sagging (very typical it seems), because the rubber washer between the main tube and the rear counterweight tube had deteriorated (the typical age related problem).
I pointed it out to seller, he fixed it, posted new photos, I bought it.
The arm arrived undamaged, however, it was going back, and, perhaps I will buy one in the future with bad rubber, soooo, I decided to see how he fixed it.
I’m no engineer, this is my attempt to clarify the rubber repair for myself and others. Lot of words to attempt clarity, it’s not that complicated.
1. the 7082 (presumably 7045) rear tube and counterweight are not totally isolated from the arm by a tubular layer of rubber like my SME 3009 was. (I repaired 3009 with factory rubber tube from SME when I first got it).
2. The 7082 rear tube is threaded, It threads into the back of a fitting on the end of the main arm, just behind the pivot. Not tight machine threads, so minor movement can occur. That is a semi-solid, not totally isolated connection. If the rubber washer is weak, these loose threads allow sag to occur. Perhaps the threaded shaft gets bent down also.
3. You thread/snug that rear tube forward against the rubber washer. The thickness of the washer is therefore not critical (except too thin). The density of the rubber needs to be firm enough to keep the rear tube from sagging, but not too hard, so it can do it’s job: dampening vibrations traveling down/back up the tube, isolating counterweight .... engineers can clarify this design function.
4. Washer Shape. Factory ____? This one: It did not slip off the front tube as I expected a simple washer would. It had an integral smaller diameter ’shoulder’ or ’neck’ that projected forward into the rear tube fitting. There are two tiny allen-head set screws at the bottom of the fitting. I loosened them and a short piece of tube came out, less than an inch long, rubber washer at the rear end.
5. Front face of the small fitting with the washer has/had a brass faced plate, curved. This one was damaged, part missing, part ’mangled’. My guess, it was set too tightly to the face of the arm shaft, someone messed with it, who knows ....
6. The point is, unless I took it apart, it looked fixed, you would definitely choose this over one with deteriorated rubber, sagging rear tube. But it had invisible damage. No way to know if buying used. Or know after you received it. I think this is probably a very rare instance, just mentioning it, perhaps someone knows something about it _____ ?
7. Effect performance??? Many have said they have weak rubber washers/sagging rear tubes: so what, plays great. The fitting: internal damaged brass face could be carefully reassembled, making sure no contact with anything.
8. Anti-Skate. I don’t like it, especially used. The plastic cap lifted off to reveal a spring coiled around the shaft (cap’s tiny set screws too loose?). Turning the top dial compresses the spring, step-less progressive resistance to the rotation of the arm shaft, great ... Counter-acts inward force when playing.
Perhaps I would be confident with new from factory, but, there is no way I would be confident with this one, or any used one. Where is zero? Prior in-appropriate revolutions? Weakened spring?
I like dangling string counterweight with many small 1/4 gram notches like the SME and others. One thing I did not like about my 3009 Anti-Skate was the age and brittleness of the plastic line, but it always tested accurate in use.
9. Actual anti-skate. Listening, test record, final set of anti-skate is best. But, when changing cartridges, Stereo to Mono, Shibata to Elliptical: quickly adding or reducing tracking force, then a quick anti-skate corresponding change ..... no listening test, trust the incremental changes from prior proven setting. I feel more confident moving the string to the next notch than adjusting a spring.
Hope this is helpful, perhaps others can clarify anything I got wrong.
Elliott
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The Large Plinth with UA-7082 I bought arrived, the plinth, legs, dust cover seriously damaged. Insured, at UPS for damage claim now.
The arm, before I bought it, the counter weight tube was sagging (very typical it seems), because the rubber washer between the main tube and the rear counterweight tube had deteriorated (the typical age related problem).
I pointed it out to seller, he fixed it, posted new photos, I bought it.
The arm arrived undamaged, however, it was going back, and, perhaps I will buy one in the future with bad rubber, soooo, I decided to see how he fixed it.
I’m no engineer, this is my attempt to clarify the rubber repair for myself and others. Lot of words to attempt clarity, it’s not that complicated.
1. the 7082 (presumably 7045) rear tube and counterweight are not totally isolated from the arm by a tubular layer of rubber like my SME 3009 was. (I repaired 3009 with factory rubber tube from SME when I first got it).
2. The 7082 rear tube is threaded, It threads into the back of a fitting on the end of the main arm, just behind the pivot. Not tight machine threads, so minor movement can occur. That is a semi-solid, not totally isolated connection. If the rubber washer is weak, these loose threads allow sag to occur. Perhaps the threaded shaft gets bent down also.
3. You thread/snug that rear tube forward against the rubber washer. The thickness of the washer is therefore not critical (except too thin). The density of the rubber needs to be firm enough to keep the rear tube from sagging, but not too hard, so it can do it’s job: dampening vibrations traveling down/back up the tube, isolating counterweight .... engineers can clarify this design function.
4. Washer Shape. Factory ____? This one: It did not slip off the front tube as I expected a simple washer would. It had an integral smaller diameter ’shoulder’ or ’neck’ that projected forward into the rear tube fitting. There are two tiny allen-head set screws at the bottom of the fitting. I loosened them and a short piece of tube came out, less than an inch long, rubber washer at the rear end.
5. Front face of the small fitting with the washer has/had a brass faced plate, curved. This one was damaged, part missing, part ’mangled’. My guess, it was set too tightly to the face of the arm shaft, someone messed with it, who knows ....
6. The point is, unless I took it apart, it looked fixed, you would definitely choose this over one with deteriorated rubber, sagging rear tube. But it had invisible damage. No way to know if buying used. Or know after you received it. I think this is probably a very rare instance, just mentioning it, perhaps someone knows something about it _____ ?
7. Effect performance??? Many have said they have weak rubber washers/sagging rear tubes: so what, plays great. The fitting: internal damaged brass face could be carefully reassembled, making sure no contact with anything.
8. Anti-Skate. I don’t like it, especially used. The plastic cap lifted off to reveal a spring coiled around the shaft (cap’s tiny set screws too loose?). Turning the top dial compresses the spring, step-less progressive resistance to the rotation of the arm shaft, great ... Counter-acts inward force when playing.
Perhaps I would be confident with new from factory, but, there is no way I would be confident with this one, or any used one. Where is zero? Prior in-appropriate revolutions? Weakened spring?
I like dangling string counterweight with many small 1/4 gram notches like the SME and others. One thing I did not like about my 3009 Anti-Skate was the age and brittleness of the plastic line, but it always tested accurate in use.
9. Actual anti-skate. Listening, test record, final set of anti-skate is best. But, when changing cartridges, Stereo to Mono, Shibata to Elliptical: quickly adding or reducing tracking force, then a quick anti-skate corresponding change ..... no listening test, trust the incremental changes from prior proven setting. I feel more confident moving the string to the next notch than adjusting a spring.
Hope this is helpful, perhaps others can clarify anything I got wrong.
Elliott
33 responses Add your response
Re the sag, I agree. Chakster and I had a disagreement over his contention that any JVC tonearm with a sagging counterweight is per se "broken". My position is that a certain amount of sag, so long as there is still no metal on metal contact in the link between the counterweight and the pivot, is still viable and may be even advantageous if the center of mass of the CW ends up in the plane with the LP surface. This is desireable to minimize changes in VTF associated with warps. Chakster never gave an inch, so we agreed to disagree. But I still want to repair mine. |
Lewm, I’m using a 7082 currently with a light head shell and an Ortofon 2M Black. It’s on the big JVC plinth and a TT-81 along with an older Triplanar. I tend to use the 7082 as a test bed for potential MCs that get transferred to the Triplanar, and then in between I keep an MM on it just as a contrast to whatever MC might be on the Triplanar. Way easier to experiment on the 7082, and it’s a great tonearm in its own right. The Triplanar is better, but it should be for the difference in cost. My 7082 has the counterweight sag, but it’s stable and I just consider it a dropped counterweight mod so I haven’t bothered to try to fix it. :-) I also have a 7045 on a spare TT, but haven't used it in a while. No sag at all on that one. |
Now that Richard dredged up this old thread on the Victor 7 series tonearms, I am stimulated to finally fix my 7045. But also let me say that these are very well conceived tonearms that are very modern in design approach in most ways. They deserve more praise than they get. The only feature (in my opinion) that might separate this design from the best modern ones is the fact that the pivot is not in the plane of the LP. But there are dozens of other tonearms that are in common use that also exhibit this "defect" and work wonderfully. I wonder if any of us is using a 7045 or 7082 and with what cartridge. |
richard_crl032where do you live. near enough to me, plainfield nj 07062, we could meet, it would be an easy fix we could do together. |
Thanks Eilliot for all the sharing .. I too wish for a ua-7082 that looks very nice and almost 12incher that can fit the dk300 plinth with dp-80 but the current asking price for a used one with unknown grommet status is worrying. Unfortunately I am no good with diy and unsure what to do if indeed the UA-5045 has significant sag or even with metal-metal contact and not performing. I bought it as it was about usd100 that I wish to spent which is for the dp-80/dk300 that had been recapped and planning to refurbish the plinth with slightly cracked veener for an affordable price to me of usd299 excluding usd100 shipping from Japan to Singapore. I only wish JVC/Victor has spares of this grommet that seems to be then a design flaw but 40 yrs is indeed a long time ago. Cheers. |
Why bother with these grommet failing Victor ua-7045 and even heavier ua-7082 .. only to know that it will never be the same as designed by Victor engineers even with all the repair done with unknown rubber specification of the grommet ? Sold at 30kyen max back in 80s and now at 2 to 3 times more. Alternatives of them without such critical grommet failures like those from Micro Seiko, Denon, Audio Technica etc. not a better choice ? Tks ! |
Anti-skate, the arm's old spring, I handle anti-skate differently these days. using this Hudson 'single sided' Alignment Disc
A. Use alignment side for 1. stylus overhang: tonearm spec 2. two specified null points: tonearm spec. pivot/tighten cartridge in headshell 3. arm height: arm parallel when stylus in the groove. Set's VTA. Advanced tools/methods exist to further refine VTA if desired). 4. azimuth: viewed from front, (remove LP, place mirror thickness of LP under the stylus, any vertical deviation will be easier to see) B. Use blank side for anti-skate b1. set tracking force to zero b2. anti-skate to zero: spin platter by hand, adjust the anti-skate so the arm moves to center (that's the 'skate', natural force anti-skate opposes) It varies with tracking weight. b3. set tracking weight b4. set anti-skate: spin platter by hand, adjust until arm 'floats' in the middle, not in or out. Not perfection, just try it here and there, get the best result: done. Re-check tracking weight/anti-skate occasionally. |
OMG, 4 years ago, I had long forgotten this, thanks for the revival and best of luck with your tonearm. I was so glad I was curious and took that arm apart, the critical finding was the damaged brass piece, and measuring the size of the needed rubber washer A little sag, I wouldn't mess with it, until the sag increases (perhaps never). IF you go inside, the length and diameter of the brass piece would be a fine addition to the arm's facts.
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Hey Elliot, Best groove and all, Late to the party but just bought an used ua-5045 from Japan to avoid now crazily high cost of ua-7082, sme 3010R, MA-505 etc. and while not received to know how bad the sag is, if it sags at all, these detailed, nicely and generously shared information are very much appreciated .. thanks a million ! Will endeavour to measure the diameter of brass insert for the right rubber grommet in return if I indeed need to proceed on the repair. Cheers. Richard |
You can do this. Words, words, words, it’s not that hard, or precise. prior link to good photos https://www.audiovintage.fr/leforum/viewtopic.php?t=55306 You take it apart, remove the old rubber, install the new stepped rubber gasket (dimensions below), reassemble, no critical adjustments. The hardest part is having/acquiring the tiny allen wrench to fit the 3 allen head set screws. That’s the only tool needed. 1. Disassembly: A. Remove the rear counterweight shaft/assembly. a1. loosen set screw on the counterweight shaft (probably on the bottom). a2. unscrew the entire counterweight assembly. (counter clockwise from rear). It has internal threads, it simply spins off. Fear not, keep turning. ****Visible Now: old rubber on brass piece inside short chrome piece**** B. Remove the short chrome tube extending out of the rear of the pivot b1. loosen two tiny allen-head set screws on the bottom of the pivot. b2. pull short chrome piece out. (brass piece probably held in place by old rubber) C. Remove all old rubber, pushing brass piece out of the short chrome piece. ***Notice: front of brass piece has tabs. front of short chrome tube has notches.*** Tabs in notches keeps the brass piece from spinning during re-assembly. .............. 2. Size of ’Stepped’ Rubber Gasket! You need to take rear of arm apart to fix it, so take the short chrome piece and brass piece with you when going to the plumbing store/dept. Described horizontally, facing cartridge. 2a. Front portion that becomes invisible when pushed onto the brass piece and inside the short chrome tube: 9mm outside diameter x 4mm long. (mine started out longer than 4mm and was cut by hand to 4mm long) (doesn’t have to be perfect length or perfect cut). 2b. Rear portion that remains visible, (ends up looking like a simple washer): 13mm outside diameter x 4mm long. (it could be a bit larger diameter but would visually exceed the counterweight tube’s diameter). (it could be only 3mm long. (Not more than 4mm long, you don’t want this portion of rubber to allow too much sag when re-assembled. 2c. inside diameter of gasket: sadly I forgot to measure it. it slides onto the brass piece. anyone know the diameter of the brass piece ___________ ? Take the brass piece with you. ............................................................... 3. Re-Assembly 3a. insert brass piece into the short chrome tube. 3b. locate brass tabs in the tube’s notches 3c. push rubber gasket onto the brass piece inside the short chrome piece You want the brass tabs to stay firmly in the notches before proceeding. 3d. Insert short chrome tube into the hole in the rear of the pivot. ***How far into the pivot?*** Far enough for the set screws to lock it in place, not too far to contact/interfere with arm/pivot movement. 3e. Tighten the two set screws. lightly snug, check full pivot motion, tighten firmly. 3f. Spin the counterweight assembly onto the brass threaded shaft. *** Pull rearward while spinning on. Do not push the brass piece forward when doing this, you want the internal brass tabs to remain in the chrome tube’s notches so the brass piece cannot spin. 3g. Firmly snug the counterweight shaft to the rear face of the rubber gasket. *** Now the counterweight has pulled everything together, has tightened the brass tabs into the notches, is holding itself firmly against the gasket*** 3h. tighten the set screw preventing counterweight shaft movement. Done. |
Not to be critical, however, to clarify for others, in the photo, the center piece is show reversed. I think I understand what you intend to say and I am aware that the pin is reversed but the Victor that I repaired is an extremely simplified model of the UA 5045 and does not allow to repair it (unlike the UA 5045 or UA 7045/7082) without disassembling it completely piece by piece, because the screw that securely fixes the pin in this product is screwed "before" to fit the barrel inside the articolation castle. This forced me to use a little metric pitch nut to tighten the counterweight support to be tightened with a tiny thin key and passing through the narrow passage indicated in the photo by the white arrow. On the other hand, I would have been forced to completely disassemble the arm, including the bearings and not having a torque wrench to tighten the bearing pins when reassembling, I didn't want to completely disassemble it. |
I will just add my thoughts: The price for perfectly working Victor UA-7045 and UA-7082 is so cheap (or relatively cheap) compared to to other tonearms on the market that it makes no sense to buy defective unit, because the price for defective arms is not much cheaper (if it’s not completely destroyed arm), normally sellers don’t even mentioning the problem with rubber part and sell the arm just like a used arm. For example: if the price difference is about $200 between bad sample and perfect sample i would buy a perfect sample for higher price, or i will wait for a perfect sample, because the arm is not so rare. At least 2 of my UA-7045 were perfect and my current UA-7082 also perfect, they are not repaired, but fully original. I think it depends on how the arm was stored for decades. Long time ago i watched Fremer’s factory tour at Excel Sound (the manufacturer of Hanna carts), after this tour the rating of current Excel sound drops down for me. Just watch their Denon/Victor system ( 9:41 at this video) they are using for test and look at the Victor arm counterweight :)) |
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best-groove409 posts01-11-2020 4:59pmI repaired and replaced the Victor arm rubber a short time ago, no problem if you are practical with DIY https://i.postimg.cc/JhGB0fL8/DSCN5962-thumb-jpg-da81b9ff50d69a0d02549b0dc19fd7f4.jpg ..................................... Not to be critical, however, to clarify for others, in the photo, the center piece is show reversed. The small diameter threaded shaft is shown forward, it should face rearward. That rear facing threaded shaft is what the entire counterweight assembly threads onto (counterweight assembly has internal threads). You spin the counterweight assembly forward till it is snug against the rubber grommet, and fasten a set screw. Then, balance and stylus force are achieved. |
Many more modern tonearms also use some method or other to decouple the counter-weight from the pivot. Even if, for example, the Victor arms had used a super quality rubber, they would have yielded by corroding slowly and inexorably, causing the counterweight to descend as if it were a defect; the counterweight is heavy and deforms the rubber on which you have to resign. For me the best solution is the one adopted by Denon for the DA307 arm which uses a solution other than Victor, that is, it isolates the barrel from vibrations and counterweight. The barrel is lighter than the counterweight and the cantilever / dumping unit will horizontally support the barrel without problems and without ever deforming and destroying the rubber. Furthermore, the rubber of the Denon DA 307 is conical and adheres well to the structure without slipping and is of the highest quality; even after 40 years, completely disassembling the arm for overhaul and maintenance, it shows no signs of wear or cracking; the rubber appears new and elastic indicating how I wrote a truly exceptional rubber. |
look at the photo where the brass piece is completely separate, no old rubber on it. right of it, short chrome piece with notches to receive/retain the flange, and keep the brass piece from rotating after assembled. the flange stays on. push the threaded end of the brass thru the short chrome piece. the flange and notches now mated. put the short chrome piece into thew hole in the back of the pivot. verify no physical contact when arm is moved in all directions. tighten set screw fixing short chrome piece. slide the two layer grommet past the threads onto the brass piece, the smaller forward layer pressed into the short chrome piece, now invisible. the second layer of the grommet is against the rear of the short chrome piece, visible, the part of the grommet that is always visible. spin the entire rear counterweight assembly (it has internal threads) onto the threaded shaft of the brass piece. rotate the assembly forward until it is snug to the rubber grommet. tighten set screw. assembly complete, entire rear assembly totally isolated from the front by the rubber grommet. now, the balance and stylus force can be made using the movable weight collars. |
The photos from "leforum" are the best illustration of what I saw when I took my 7045 apart. Note the brass-colored rod that ends in a "nailhead" shaped flange. That nailhead would not dissociate itself from its hole in the pillar, which is needed to enable one to slip a new washer into place. (I fully agree that a replacment washer or O-ring is easy to find.) Perhaps I gave up to soon. I did twist and turn the two parts at different angles to each other, but the nailhead shape would not disengage. Since I have no immediate use for the UA7045, I gave up temporarily. |
In the close up photo that shows the brass fitting, I noticed that: the short chrome fitting that goes into the rear of the pivot: it has notches that must be to receive/retain the flange on the end of the brass piece. During assembly the flange/notch positioning needs to be maintained until a set screw is tightened. Then all is well until the rubber deteriorates. When the grommet deteriorates, the sag allows the brass flange to move forward out of those notches, larger amount of sag now possible, and the brass flange can move forward enough to contact internal metal surfaces. |
the link you posted is terrific, repeated below, and 2 links found within it yes I know; I think it is the only one in the world where he explains in detail and shows how to proceed with the repair ... for this reason I saved the link in my favorites. The remainder of your post is all correct and I agree on what you have written. |
best-groove If you see the innards, you realize the weakened rubber grommet is more critical than many think. the link you posted is terrific, repeated below, and 2 links found within it https://www.audiovintage.fr/leforum/viewtopic.php?t=55306 http://www.ne.jp/asahi/moto/jogging/audiowood.html http://www.ne.jp/asahi/moto/jogging/audiowood.html#7045 the top link photos are the best I’ve seen, especially when fully disassembled to see the internal brass piece separately. my 7082 was slightly different, however, I now understand the design, which does TOTALLY isolate the rear assembly from everything forward of the pivot via a ’ two stepped’ rubber grommet: ’two stepped’ rubber grommet: like a 2 layer cake, the top layer (forward-invisible inside the tube when assembled) is a smaller diameter than the bottom layer (rear-visible separates the front and rear tubes when assembled). It is the deterioration of the smaller unseen portion of the grommet that ’allows’ sag of the rear assembly. When seriously degraded (as mine was before the seller repaired it), it ’allows’ serious damage to metal parts. The smaller diameter rubber layer gets pushed inside the forward tube, thus unseen when assembled. That is the TOTAL isolation from the front assembly. That portion, unseen, must be firm enough as it is carrying all the weight of the rear assembly. The larger diameter rubber layer is the diameter of the tubes, thus visible, and simply keeps the tube faces apart from each other when assembled, like the white part of an Oreo cookie. The larger diameter portion of the grommet also restricts forward movement of the internal rubber. When the larger diameter portion is deteriorated, it also ’allows’ sag, however, it is the unseen rubber that is most important. Assembly: 1. rubber grommet slides onto the brass fitting. The brass fitting has a thin flange at the face toward the pivot. That simply stops the stepped rubber piece from moving further forward. 2. Insert the brass piece/forward portion of the rubber grommet into the hole in the rear face of the pivot. Position it back far enough so the brass flange (now unseen) does not contact any internal pivot parts (in any position when the arm is moved. 3. Tighten the set screw. 4. The threaded shaft of the brass fitting faces rearward. The larger diameter portion of the rubber grommet is in place. 5. spin the entire counterweight assembly (it has internal threads) onto the threaded shaft. spin forward until it’s face is firm against the face of the rear face of the rubber grommet. 6. Fasten set screw. Serious Internal Damage: IF/When the interior unseen rubber grommet sufficiently deteriorates, the sag allows/moves the forward flange of the brass piece too far forward, actually making contact with metal within the pivot. Half of my brass flange was missing, (fell out when seller repaired it). The remaining portion of the flange was ’mangled/misshapen-ed’. It must have been making seriously detrimental contact against internal pivot parts. Before serious internal damage occurred, there had to have been minute contact, minutely effecting pivot movement, and both progressing speck by speck. ................................. You can buy an arm that has been repaired, and not see/know of any past or potential internal metal contact. Circumstances, curiosity, nothing to lose led to me discovering damage within. And, a set of tiny allen wrenches. I suppose seller, when repairing the rubber, might have ’re-set’ the fitting rearward enough that no internal contact was occurring. All might have been happy ever after, but it was a disturbing sight for sure. Anyone making the repair can re-set the brass piece to avoid internal metal contact. .................................... Mostly or Completely remove a damaged brass flange? I suppose so, however, it would have to be a one piece stepped grommet so the larger diameter layer kept the attached smaller diameter internal layer in place, unable to move too far forward. Careful positioning of both fitting and rubber in the pivot then locked with set screw. ................................ After seeing this, I would say, if your arm sags, fix it. |
@lewm Unfortunately not, but keep in mind that what I have repaired is the arm that is applied as standard on the JVC QL7 Jvc 7045 is easier to repair because the screws for disassembly not hidden by the articulation castle. This 3ad could be of great help for repair 7045 or 7082 https://www.audiovintage.fr/leforum/viewtopic.php?t=55306 |
close up photo of 7082 arm pillar, etc. https://www.usaudiomart.com/details/649381856-victor-ua7082-12-long-tonearm-headshell-cable-manual/images/1653798/ |
UPS picked it up yesterday, plinth, tt, arm, cover. They are confirming damage before they pay the $1,000. insurance. I expect that to go well. The money may go back to the seller as he purchased the insurance on my behalf. Then, if he sends me the money back as a refund thru Paypal, hopefully two things will happen: That's too complicated, if you will act via PayPal (claim) they will immediately refund you everything under "paypal buyer's protection" and will cover return shipping of the damaged stuff to the seller, the return shipping will be refunded later when they will get confirmation that parcel returned to the seller (and received by the seller). The deal with USPS is seller's responsibility. No loss for you at all if you do that with paypal, this is the only good thing about PayPal actually, they are protecting buyers (not sellers). But if the seller insured his parcel he will get money from his shipper. Why you just waste you time with it? Fill PayPal claim before it's too late and the seller will refund you your original payment immediately or his PayPal account will be blocked by PayPal, you will get your money back anyway. Find your original payment on your paypal account online and click report a problem, describe the case and wait for full refund from the seller or escalate to paypal and get refund from them. It works only if you paid for a goods (not family and friends, gift option), good lesson for the future. |
lewm Damage: UPS picked it up yesterday, plinth, tt, arm, cover. They are confirming damage before they pay the $1,000. insurance. I expect that to go well. The money may go back to the seller as he purchased the insurance on my behalf. Then, if he sends me the money back as a refund thru Paypal, hopefully two things will happen: 1. not charge the seller a fee to send me the money. 2. refund my original $46. paypal fee I paid to send the money to the seller. I will check with Paypal before. ....................................... Rubber Washer Repair. My rubber washer was not factory, soooo .... I never fully removed mine, soooo ... ............................... Removing two separate tubular pieces. (I should have taken pics). a. the rear counterweight tube (easy). b. the shorter tubular fitting that my washer was pressed into (tricky). Note: this may not be required, it is possible I could have simply pulled the washer hard until it came out, but, I saw set screws and thought they were restraining it. c. replacing thw rubber washer ....................... a. rear counterweight tube simply unscrews. it surprised me, I hesitated, but kept going, it came fully off. no real force needed, just confidence to keep turning. now you have access to the rubber washer. My replacement washer had a shoulder/neck pressed into a short tube. I am calling that a short tubular fitting, part b. The washer resisted coming out, so, I looked to see why. Perhaps I should have simply pulled harder, but I was concerned about ripping the washer apart. .......................... b. short tubular fitting. at the bottom surface, two very small allen-wrench set screws exist. You need to loosen both of them. now that fitting comes out of the main tube, washer still stuck into it. c. replace the rubber washer? When I saw the damage to the forward surface of that fitting, I stopped. Checked out the anti-skate, didn't like that either. Decided I was lucky UPS dropped it. Back together, back in the box. I didn't pursue pulling the washer out. It may just be pressure fitted into a recess in that short fitting. If you tore the deteriorated washer out, I think you could put a simple plumber washer between the two parts, no real need for an exact match, no real need for one with a shoulder/neck to press into the fitting. Home Depot, plumbing department. |
Totem, Many more modern tonearms also use some method or other to decouple the counter-weight from the pivot. The idea is a good one, from an engineering standpoint. Fidelity Research FR64S and 66S have this feature, among tonearms of a similar vintage to the Victor tonearms. Triplanar has it too. What started this thread about the Victor tonearms is more about whether and by how much the counterweight can be permitted to sag, due to wearing of the rubber joint or to its deterioration related to age. Best-groove, I went to your URL, and I think you provided it once before. The problem is that it shows your tonearm and CW already separated. That doesn't help much if the joint won't come apart in the first place. I'm referring to the metal to metal joint that gets exposed when you open up the juncture. Do you have any additional photos of the step by step process? Thanks. |
I repaired and replaced the Victor arm rubber a short time ago, no problem if you are practical with DIY https://i.postimg.cc/JhGB0fL8/DSCN5962-thumb-jpg-da81b9ff50d69a0d02549b0dc19fd7f4.jpg |
The above Victor series may have been one of the last mass produced arms to incorporate the traditional rubber isolation between the pivot and rear stub. In the early day's of audio most higher end arms incorporated this design including the SME series 1 and original Ortofon broadcast arms mono and stereo. |
I have had my UA7045 apart at the counter-weight, so I can sort of follow your description of what you found, but I'm not totally clear. In my case, I could not get the mating metal pieces apart, which you need to do in order to replace the rubber, and I ultimately decided not to keep at it until I understand better how they come apart without applying brute force. Question: how do you know that what you see inside is not original, since to my knowledge there exist no factory drawings or even photos on line? Maybe Chakster could enlighten you and me and others. My other question: You are sending this UA7082 back to the seller, presumably for refund? |
btw, found another large plinth dual arm tt81, bought it, seller assures protection. https://www.canuckaudiomart.com/details/649579421-victor-jvc-tt-81-high-quality-quartz-lock-turntable-with-fidelity-research-tonearm-reduced/ I probably will move it's Fidelity Research arm to the rear for Mono, and install my newly acquired Lustre GST-801 as main arm for Stereo and cartridge swapping. It arrived looking gorgeous. That will be two 9" arms, not my original goal of one 12" arm, but, thankfully I learned here the cartridge compliance gets more complicated with longer heavier mass arms, so, I'm ambivalent. |