Upgrading from Wilson Sophia 2's?


Currently using these in a 14x25 room. Enjoying them for the most part, but they can sound aggressive and make mediocre recordings sound like crap and be somewhat fatiguing. Iā€™m interested in trying something that is slightly more forgiving without sacrificing a lot of detail, air, dynamics, etc.

Any suggestions?

Associated equipment (preamps still in flux):

Amps
Pass XA 100.5 monoblocks

Preamps ā€“ Tube
Audio Valve Eclipse
Cary SLP-05

Preamps ā€“ SS
Fire H20
Wyred 4 Sound STP SE
Pass XP-20

Sources:
ModWright Transporter
Raven One TT / Triplanar / Dynavector XV-1s

Thanks.
madfloyd
No prob... curtains too remind me of younger days when theaters were theaters! Very opulent & richly outfitted with thick carpeting, textured wall papers oversized banisters leading up to actual balcony's and with huge screens.

Curtins always were raised or separated to show the screen. Sometimes a few were opened to fully reveal it.

The sound sometimes wasn't on par, but the experience and memories remain.

I still think that's a very cool way to introduce a viewing session. I wanted to recapture as much of that novelty as I could in my room.
Last week I listened to the most recent sophias and watt puppy sashas. I found the sophias brighter and fatiguing, and heard nothing fatiguing on the watt puppys on the same recordings. However, the sophias were driven by an ayre integrated, while the watt puppys were driven by McIntosh 300W tube monoblocks.

I preferred the watt puppys and left with the conclusion that watt puppy's have sweet highs, and are very musical. Sophias - I don't know if it's the speakers or the system, but they were harsh on harsh recordings. I have lots of harsh recordings, I don't want them to sound harsh when I play them.

By the way - alot of live unamplified music is harsh too - some chamber performances and symphony performances I've been to come to mind. Just because a speaker is producing a harsh sound doesn't mean the recording or the speaker is bad, it could just be that the live event was fatiguing, and they're doing a high fi job.
Hi!

I have Wilson Audio Sophia 2, and have not experienced any bright sound / fatiguing sound. However, the speakers are sensitive to fx. loudspeaker cable static electricity. You hear what you put into them. And I listen to all kind of music styles, and all kind of recordings, as I am a talent buyer within the festival scene. I have Burmester amps and cd player.

Cheeeers! Toffen, Norway
Upstream could be a factor, cables, amps, source. Ears could be a factor too, some people have different, not better or worse, just different sensitivities. They don't seem like the kind of speaker that will sugar coat the signal going into it. Don't get me wrong, they're nice, I just found the sound of the sasha setup more livable.

regards,

robert
Madfloyd,

Perhaps your problem is not your equipment but either or all of the following: 1) listening position, 2) speaker placement or 3) room acoustics.

Have you considered hiring a consultant to help you design the appropriate room treatments and positioning of said treatments? They can even help you with ideal seating position. I used Rives and the results have been excellent. I am sure there are others that would do a wonderful job as well. I think it would be much cheaper than a new speaker and probably more effective in correcting what you dislike. You can always upgrade to a new speaker later but at least you will know your room is "right".

FYI, I have a 15 X 21 X 9 room and I have a large screen on my front wall and I have Wilson speakers. I have NO treatments other than bass traps in each corner. My room was bright and had a lot of slap echo but not after treatments, absorptive and reflective, strategically placed through out room.