Tonearms: Ripoff?


If you search for tonearm recommendations you'll find an overwhelming amount of praise for $1k and less products. Audiomods and Jelco are the two most mentioned.

The Audiomods is just some guy making Rega-based tonearms in a workshop. Just some guy is putting out tonearms that compete with tonearms that cost many times the price -- from the likes of SME, Clearaudio, VPI, Graham, etc.

So the question is -- are tonearms just a scam? How is it that everyone loves Audiomods and Jelco to death and never talks about / dismisses high end tonearms? Is it because there's no real difference between one of these low-cost tonearms and the high end ones? Is an Audiomods Series V ** really ** the equivalent of a SME V? Some guy in a workshop equals the famed precision of SME? Is that once you have the math and materials worked out all tonearms are essentially the same? Or is it that most owners of record players online are dumpster-diving for vintage gear and simply can't afford to listen to better?

So, what's going on?
madavid0

Showing 6 responses by noromance

Defend them against what? Think about it. Most of these higher-end tonearms are built in relatively small numbers. Many by solo operators or small operations. Someone is staking their livelihood on making something that takes months of testing, months of building and discarding and testing and final completion. Precision instrumentation and micron-level bearing alignment is not cheap. Then it has to be advertised and dealers have to make money and returns have to be compensated and healthcare insurance has to be paid. Now divide all the hours put into that and divide by the number sold. Don’t parade your naiveté as if you were an authority on economics and engineering. By the way, if you want a taste of the "high end" for little money, invest in a Jelco 850 from George Merrill (best price) - it’s the cream of the crop.
@madavid0I wasn't sure what angle you were coming from so I recommended the lower end of the high end, an area I have a lot of experience in. ;-)
The thing is this though, if you have experience of upgrades and the improvements wrought from them, then you'd get what improvements better gear brings, albeit, on occasion, at a higher cost compared to the perceived gains. In other words, better tracking which allows finer detail to emerge from the mix, and less congestion in busy musical passages. The greater the accuracy of the bearings, the more music retrieved. Add in improved build quality and the beauty of the craftsmanship, improved accuracy of VTA adjustments etc. all bring more to the listener. Of course, one has to be able to discern these improvements, and this may influence where you seek the best bang for your outlay.
@rsfphil I rarely ever comment on politics and I apologise to others on this thread. Fox is not in the same league as CNN no matter how often trump says it. Fox is an entertainment channel bankrolled by the alt-right to further a nefarious agenda benefiting dirty fuel profiteers and MIC stakeholders while subverting government of the people by the people. CNN merely spins their reporting to point out that fact.
@2channel8. The Jelco 850/950 is a significant upgrade over the Sumiko for little money. See my post about it.
  • @dhcod I have the same cartridge as you in my main table - a Decca London Super Gold with a Paratrace stylus - mounted in a 12" Jelco 850.
    • Could you kindly describe the different tonearms you moved through and the differences wrought?