There’s so much more within this track I’m not sure to focus on that one aspect of the snare is a best case. it would eventually become a one note without the complexity of the whole, I think
The dynamics here are huge, getting that alone is worth the price of admission. The background 60hz hum of Stevie’s amp? Where does it change?
The pistol shoot! that was a 44! How do these come forward?
Where is the vocal? Front of or back of his lead guitar? Can you hear when he moves?
Does the bass roll in and out like the monster it should be?
Others have mentioned this to be an easy tune to reproduce on any decent system, which I would tend to mostly agree with, but as always the devil is in the details