the magic of power cords


We need a bit of magic in our lives. It might be the reason why audiophilia has such traction among people from all walks of life.

The neophyte's skepticism is likely proportional to the level of technical training - the more you think you know, the stronger the conviction that, for example, the power cable business is a sham: "electrons are electrons" and "if the house cabling is bad, why would the last 3 feet matter?". The stronger the conviction, the more humbling the experience of hearing the power cord magic in action.

A few years back a Sophia Electric amp came into my hands with what looked like a generic power cord. The few non-generic cords I tried (Audioquest AC15, Audio Magic XSteam, Shunyata Research Diamondback) made a significant difference for the worse. The thin, black, generic-looking original cable allowed for a clarity and definition of voice and instruments that got totally washed out with the aftermarket cables. A night-and-day difference. No doubt - the power cord made a huge difference - but not in the expected direction. The Audioquest AC15 was particularly bad.

For awhile, I kept trying them around on all incoming equipment (be it DACs, preamps or amps). The AC15 sounded so bad every time that after awhile I wasn't even trying it out.

Many years and few amps later - something seemed not quite right with the presentation of my KAV-300i: slightly dull upper bass. Power cord: Zu Birth. Finally (after multiple interconnects and few speaker cable swaps) I pull out the power cord stash (same as above). This time around the AC15 was the great surprise: it allowed for clarity and macro dynamics well above the others.

What do I learn? Nothing, really. When is shielding important? When is gauge? How about the conductor or the insulation? How come there isn't one "best" design?

The magic continues.
cbozdog

Showing 6 responses by onhwy61

When I hear phrases such as "night and day difference" or "completely transformed my system" I start to tune out. Clearly cables can make a noticeable sonic difference, but if it reaches that magnitude, then something is wrong with the rest of your system, or the cable in question.

BTW, magic is applied technology that you don't understand.
Perhaps people who use terms such as "night and day" to describe sonic differences in audiophile equipment are using hyperbole. I don't take their words literally, but I wonder why they are being so dramatic in describing what are essentially subtle sonic differences.
Brownsfan, I completely agree with your first paragraph. Maximizing performance can be very expensive. But if you're going to describe a .5% increase in performance as transformational, then what language is left to describe going from a system built around a good $500 mini-monitor to a full range, well chosen $30,000 system? If someone spent $100,000 for upgrades I can understand the emotional need to overstate the improved sound quality. Saying it's tranformational, night and day, blows aways, I could never go back, etc. sounds better than "it's a very small change, but musically satisfying and overall worthwhile".
In 16 years of time I met several people with extreme expensive highend sets with not a lot of own music.
I would hope that you would refuse to sell these people $3,000 power cords no matter how much they pleaded and begged. It would be the honorable thing to do.
Bo, my recent comments were in jest. Even though you are constantly selling something I actually enjoy your contribution to this forum.