The dangerous world of Reel-to-Reel Tape
It feels like I re-entered the world of tape knowing full well of all the downsides, yet I did it anyway. I spent much of my youth glued to my dad's decks, making recordings. As cassette and digital came of age, I always appreciated the sound of tape.
Whether this adventure is worth it is a subjective exercise. For folks who plop down $500-$1k on cables or those who swap gear often, tape is really not that expensive, relatively speaking. Titles are limited though.
The sound quality and experience is quite something. Before jumping back into R2R, I had 4 versions of Muddy Waters' Folksinger. Hearing Chad Kasem's firm's work on it in 15ips it's just something else. Body, size, and presence are just different than very good vinyl and digital. And this is with the stock reproduce board from a Revox PR99 MKIII. I can only imagine what's going to happen when I rebuild that card, put in a modern one, or run directly from the head out to a preamp.
Maybe I'll see some of you in R2R Rehab, where I'll try to get sober from tape.
Yes, nothing quite like the *whoosh* of the big reels on rewind.....*S* Once upon, a Revox A77 was a fun diversion, followed by a Sony Beta VCR audio only....near CD response for the time, but then digital crashed that party.... Mike, you're good at creating envy...but don't stop.... ;) *L* ..a 'hot rod' Ampex......it was bad enough with Lincolns'... |
"....what's old is new, yet again..." *S* @thom_oz ...as one who's just beginning to play w/XLRs', that 'splitter' routine is still a SOP 'round here...*G* @oldschool1948 ...dust off the dbx while you're at it.... ;) Nothing like a 'spoonful of sugar' that made magic happen before.... |
