The criteria for loudspeaker choices.


 

I’m signed up for PS Audio promotional emails, and the one that arrived today announces the introduction of the newest, smallest model in their Aspen line of loudspeakers, the FR5. I read through all of the details on the speaker, and one statement made instantly brought to mind a question. Read on if you’re interested.

 

In the section labeled Technology, PS Audio makes this statement:

"We started with our planar magnetic tweeter. Moving air at high frequencies without coloration or distortion is a daunting task. On the FR5 we chose to go with a technology that has the speed of an electrostat with the dynamics of a cone. Planar Magnetics. This ultra-low distortion driver is driven from front and rear magnetic structures that offer inherent linearity through symmetrical "push-pull" neodymium motor structures and directly driven ultra-low mass diaphragms with none of the cone or dome breakup, inductance modulation, or hysteresis distortion that plagues traditional drivers."

Amen, brother! Other information provided is that the FR is a 2-way, with a 6.5" woofer, a Linkwitz-Riley 6th order acoustic crossover frequency at 1750Hz, and a rear-mounted 6 x 9 passive radiator. And that PS Audio makes the crossover using "Custom film capacitors and premium air-core inductors." (hallelujah!) Sensitivity is 83.5 dB, and the price for a pair is $3499 plus shipping.

 

Okay, all that is nice to hear. But what if there were a loudspeaker that uses a Planar Magnetic driver (like that of PS Audio, with a symmetrical push-pull motor structure and directly driven ultra-low mass diaphragm) for not just high frequencies, but the entire range from 180Hz all the way up to 10kHz, with another smaller P-M for frequencies above 10k and an 8" dynamic woofer for frequencies 180Hz and below? And has the same sensitivity (84 dB)? And a lower price ($3200, shipping in the U.S.A. included)?

Well, you would compare the two, and see which produces the sound you like most, right? Well yeah, but if PS Audio’s opinion of Planar Magnetic drivers is well-deserved and earned, why WOULDN’T you want one to reproduce the frequencies below the FR5’s crossover frequency of 1750Hz? There happens to exist just such a loudspeaker, the Eminent Technology LFT-8b. Reviewed by Robert Greene in TAS, and Steve Guttenberg on YouTube.

 

So if the PS Audio FR5 piques your interest, you may want to audition the ET LFT-8b as well. By the way those of you contemplating the purchase of the similarly-price Magnepan MG1,7i: the 1.7i has a single-ended motor structure (magnets on only one side of the diaphragm), seriously compromising it’s sound quality potential. Would you even consider a dynamic driver ("cone") that was single-ended?! And, the 1.7i has a nominal impedance of 4 ohms, but dips even lower at some frequencies, making a high current amp mandatory. The LFT-8 is an 8 ohm load, the Planar Magnetic panel itself 11 ohms (two pair of binding posts are provided, making bi-amping easy).

As a long-time Quad ESL owner, I consider the LFT-8 a Godsend. The transparency and ultra-low coloration of an electrostat, without the maximum SPL limitations of the Quad. Great for the Baroque period Classical and Bluegrass I love, but also the AC/DC I sometimes crave. smiley

 

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@8t-note

Have you actually listened to the DirectStream DAC? There are a lot of people who have including myself. I’ve compared it to ASR’s excellent measuring DACs. I was very obvious to me that there is a lot more to sound than numbers. I don’t have experience with other PSAudio products so I can’t comment.

Well, as the speaker designer at PS Audio, I thought I’d chime in.

I’ve never met Bruce Thigpen at any trade shows but, by all accounts he’s a genuis inventor and did a number of useful planar magnetic patents over the years, some of which are licensed by planar magnetic headphone companies among others.

However, the Eminent Tech speakers make me scratch my head. The crossover used is a total mess with broad overlaps and interference between the drivers (almost like there is no filter on the woofer and/or midrange). Cone breakup from the woofer is left unfiltered out and there is a bunch of interference from the resonances.

Also, sensitivty is almost 5 dB lower than specified (about 77-78 dB) and so it’s among the lowest on the market (even lower than magnapan.

stereophile measurements of LFT-VII showing driver responses with crossover

LFT-16 driver measurements

While the smaller LFT-16 looks intially better, the mid and woofer done integrate currently, even when switching driver polarity.

Also, when you have such a high crossover point to the tweeter, the midrange panel is beaming a lot before handing over to the tweeter and the off axis behavior is poor.

As far as crossover parts go, you guys selling crossover part upgrades as a side business have a biased viewpoint as to what is appropriate and perceptually significant. That being said, we use nice components in the FR5, appropriate for it’s price point, I think.

 

@cbrunhaver: You raise some justified issues, and make some excellent points.

 

The shallow crossover filters employed in the ET LFT-8 (1st-order) are also used by Magnepan in their planar-magnetic loudspeakers (PS Audio’s Paul McGowan’s reference speaker for quite a few years was the MG3.6, which he was very happy with in spite of it’s low-order filters). When Danny Richie of GR Research measured the MG3.7, he found a lot of frequency response irregularities caused by phase cancellations between drivers, a result of the large expanses of driver overlap (inevitable with low-order filters).

The ET LFT-8 (both b and c iterations) employs a 1st-order high-pass crossover frequency of 180Hz for the LFT-8 planar-magnetic midrange driver, so phase cancellation between woofer and midrange driver is not a problem (due to the very long wavelength of 180Hz). What IS a problem is the out-of-band woofer resonance (seen at around 1800Hz in the Stereophile frequency response graph), but that may be eliminated in the LFT-8b by installing a cap onto the woofer, shunting the high end response of the woofer to ground (as detailed in a few posts in the Planar Speaker Asylum forums). That problem is eliminated in the LFT-8c, which has a different (dipole) woofer system. I eliminated the problem by using the Rythmik/GR Research OB/Dipole woofer system in place of the LFT-8b’s stock woofer (easy to do, as the 8b has separate woofer and planar-magnetic driver binding posts), which transforms the LFT-8b into a 100% OB/dipole design.

The criticism of the 1st-order high-pass and low-pass filters located at 10kHz IS quite valid. A 10kHz wavelength is only approximately 1.36" long, so small movements of the listener’s head can result in frequency response changes resulting from phase cancellations between the midrange and tweeter drivers. I’d love the hear the LFT-8 with a lower midrange-to-tweeter x/o frequency, and/or steeper filter values (perhaps 4th-order, as I believe Siegfried Linkwitz employs in his OB/Dipole designs). The phase relationship between tweeter and midrange drivers in the LFT-8 may be adjusted by small changes in loudspeaker toe-in.

I don’t know where the 77-78dB sensitivity figure came from, but it is not accurate (83-84 is more like it). The LFT-8 infact requires significantly less power that do Maggies (I have both). Steve Guttenberg found 50 watts to work pretty well with both the 8b and 8c. And if you bi-amp the speaker, the planar-magnetic driver itself presents an 11 ohm load to the amp, great for tubes

 

Regardless of all the above, the fact remains that the ET LFT-8 reproduces 180Hz up to 10kHz WITH A SINGLE PUSH-PULL PLANAR-MAGNETIC DRIVER (without a crossover in that frequency band!), resulting in high coherency and transparency, low coloration sound. I better wrap it up here, before I’m once again accused of shilling for Eminent Technology and Bruce Thigpen. wink

 

“The criteria for loudspeaker choices” title suggests a general criterias or what each person what they do for evaluation, but the OPs content narrowly emphasizes ET a so seems like shilling/promotion.

The criteria I use along with many/most audiophiles is to “use our ears” to choose loudspeakers.  More specifically I demoed/purchased a neutral linear full range loudspeaker running SS, and a 100db loudspeaker specifically to explore tube magic starting with the flea watt 300b amp.  Future loudspeaker purchases might include MBL omnis (always sound great) to fill in a shared room, MoFi SoucePoint 10 (huge fan of speaker guru Andrew Jones), and Devore Orangutan O/96 (maybe the most musical speaker I’ve demoed).  I’m trying to justify spending for a 3rd system the great matching Harbeth+Hegel.  

There are many good/great sounding loudspeakers, but which loudspeakers  to bring home aka spend significant money on preferences are highly subjective.