I have used Manley Reference 200/100's for the last few years with either Maggie MG3A's or Stax F-81's; both wonderfull combinations in most respects. Luckily, I don't listen at particularly loud levels so this dilemna is tolerable: In triode mode both these power hungry speakers benefit from a much more refined presentation as far as timbre and microdynamics. Instruments seem a bit leaner, but with their harmonic structures much better preserved, and their leading edges more incisive in a natural way.The soundstage appears to be somewhat smaller, but the dimensions of it are far more obvious, and there is a lot less texture in the spaces between instruments. Microdynamics are actually more natural, although ultimate dynamic range is compressed. On those occasions when I feel like listening at louder than usual levels or the music is extremely complex and dynamic (big orchestral works and some rock) the music reaches a dynamic ceiling sooner than it should. Since on those times, I'm usually not doing serious listening (working out or running around the house), switching to tetrode is the ticket. I can play the system at louder levels without obvious compression, and although I find that the sound, in general, gets a bit thicker than life with less harmonic detail, the increase in bass drive makes up for it. I am always reminded of when I switch between my Vandenhul MC and my Grado. Overall, I much prefer triode mode.
By the way, from Evana Manley herself: "You can switch between the two modes without powering down, but MAKE SURE THAT YOU MUTE YOUR PREAMP FIRST!"
Hope this helps and Happy New Year.
By the way, from Evana Manley herself: "You can switch between the two modes without powering down, but MAKE SURE THAT YOU MUTE YOUR PREAMP FIRST!"
Hope this helps and Happy New Year.