mijostyn
8,010 posts
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Exactly, the horizontal array of subwoofers forms a horizontal line source. Who says a line source has to be vertical?
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That is a neat trick to use with lower frequencies ( = long-enough wavelengths in-room)! Especially considering the lateral boundaries ( = sidewalls) will be of similar/same composition ( = permeability / reflectivity to lower frequencies) more often than not.
I’m surprised that composition of room boundaries hasn’t come up yet. Of the subwoofer “speed” and surely overall performance, I’ve found it (in my limited experience) to have a profound effect on how multiple subs couple either together or with themselves (in the case of one sub per-Ch), due to variation in room (boundaries-mediated) gain.
I get incredible bang-for-the-buck-driver surface area due to all boundaries being 6” solid concrete, except the front wall which is basically floor-to-ceiling glass (behind softwood blinds) - so essentially, strong retention along all boundaries and minimal reflections from the front wall. Back wall is far behind listening area.
I suspect the ceiling, in particular, being equally reflective of low frequency, helps. Most sub frequencies should be more vertical line array-like behavior under normal height ceilings (~12’ or less) unless you go by 1/2 or 1/4 wavelength rule-of-thumb. A sub as a point-source (vertically-speaking) seems converse to how wavefronts should work, at least in nearfield, no? [Vertical reflections-mediated] room gain in this way should be considerably skewed anywhere studs and drywall are used over a slab foundation - highly unequal boundaries in the vertical realm for many (most?) listening rooms.