SOTA STAR Sapphire Turntable Care and Feeding


I'm seriously interested in a used SOTA STAR Sapphire Series III Turntable with Vacuum, Electronic Flywheel and SME Series IV Tonearm, that is close to me and a very reasonable price.  It would be a big step up from my current Pro-Ject X2B, but I want to make sure it is not too technical for my dinosaur brain before I pull the trigger.  How difficult it is to get set up?  Once it is set up, do you need to constantly fuss over it or just the occasional check?  I have an upgraded Joliida JD-9 phono pre-amp.  Would this pre-amp be sufficient for the SOTA  or would I need to upgrade that to do justice to the SOTA?  Any other quirks of this turntable that I should be aware of?  Thanks in advance for your advice.

 

John Cotner

New Ulm, MN

jrcotner

Showing 2 responses by lewm

I owned a Star Sapphire III as my only TT for 10 years or so.  I found the vacuum clamping to be generally effective for edge warps.  What bugged me is whether I could hear an effect on SQ that I found to be not so copacetic, although very subtle.  But you know how "we" audiophiles are about stuff like that. I own a peripheral ring clamp but would never dare to use it for fear of damaging the cartridge.  I do use a record weight or clamp on the spindle, but I cannot kid myself that it does much to eliminate warps.  Anyway, it's amazing how much of a warp can be "played" without an obvious audible problem, is my experience since selling the SS III.

Tablejockey, if you’re referring to the Grado XTZ as a budget model from the 90s, you’re very wrong. In the 80s that was Grado’s best cartridge, and it retailed for near to $1K. More importantly, it was superb in SQ, and I’d rate it ahead of most MCs I’ve heard in the $2K to $5K price range. (But that’s only my opinion of course.) Of course, we don’t know the condition of the sample the OP might buy. Replacement stylus assemblies are available, IIRC.