So YOU can't hear a difference in cables


I do.

I have a set of Van Den Hul the Seconds They get rid of the digtal glare and edge. They are non fatiguing to listen to.
They sound full and lush but give up some detail and soundstage. I can listen to them indefinitely.

My Au24's are more holographic, have better soundstage, detail in spades, but there is that digital edge and glare.

My silver interconnects sound good but tizzy on the top end. They are out.

Day in and day out give me the Van Den Hul the Seconds, no fatigue, but oh I want the detail and soundstage of the AU24's.

If you suffer from that digital glare or edge get the vandys.

I find that the louder the music the more that the cables matter. I find that cables "tune the sound".

Anyone have a suggestion for an interconnect that fits my bill at a reasonable price?
zilla

Showing 3 responses by fatparrot

Yioryos, whew, for a minute, I tought you said Marilyn MANSON! Hey, don't bogart that doobie, guys!
There is an interesting phenomenon that I have discovered when performing an A/B comparison of gear or tweaks. It is more difficult to hear an IMPROVEMENT of fidelity than it is to hear a DEGRADATION of fidelity.
Reubent, as June said to Ward, "You were a little rough on the Beaver last night!" I do understand where you're coming from, but OUCH you slapped Zilla kinda hard there!

Zilla, I've broken in several pairs of Nordost I/C's and speaker cables, and I've always noticed a "tizzy-ness" when I first play them. After playing overnight, the high end sounds much more "civilized". The next thing that improves is the soundstage (imaging and location becomes more precise), and by 72 hours I'm 90% there. Stay with it...some cables do take time to burn in. Do you know how long the manufacturer recommends for burn-in?

Wellfed and Gunbei, thanks for the laughs!