I own this amp and have tried MANY different tubes in it. To some extent the choice of 6SN7s will depend on the other tubes being used. That said: I have tried many of the exotic 6SN7s in this amp. Sylvania metal base Ws, black base Ws, 1940s era Ratheons, black glass Ken-Rads and Tung-Sols, 1950s GE GTAs. They all imposed themselves on the sound. Some had nice mids but no upper or lower freq. extension. Some sounded warm and fuzzy. But so far, the best tube for THIS amp that I have found is a late 1960s FAA issue Sylvania GTB, the one with the angled plates. If you want clean, extended and detailed sound this tube is hard to beat. It is the most neutral and natural sounding tube in my set-up. I don't know if the FAA tubes were specially selected or not. Maybe all Syl. GTBs will sound the same. Haven't tried them since I have enough of the FAA ones to last me. Other tubes I am using currently: USA Amperex 'pinched waist' 6922s; GEC KT-88s; Mullard 5AS4s (RCA 5U4GBs make this amp sound hard and very bright; so much so that when I ran them I was forced to use Mullard 6DJ8s to soften the top end).
SLI-80 which 6SN7?
Sorry to start yet another SLI-80 thread, but I found no thread that covered my specific question.
I'm interested to know from Cary owners ( as well as 6SN7 lovers ) which 6SN7 is the best. I hear good things about the Sylvania, but there are many versions of this company. Including chrome dome, and brown base that I hear talk about. Also I see that Tung-Sol, GE, Raytheon, RCA are readily available. Also since these tubes are " one for each channel " do they need to be perfectly matched?
I'm also curious to know how much of a improvement the " signature " version adds to this amp. And how many versions are there?
thanks in advance!
I'm interested to know from Cary owners ( as well as 6SN7 lovers ) which 6SN7 is the best. I hear good things about the Sylvania, but there are many versions of this company. Including chrome dome, and brown base that I hear talk about. Also I see that Tung-Sol, GE, Raytheon, RCA are readily available. Also since these tubes are " one for each channel " do they need to be perfectly matched?
I'm also curious to know how much of a improvement the " signature " version adds to this amp. And how many versions are there?
thanks in advance!
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