Should I Sell My ARC REF 6 and Get A Pass Labs XP-32


So here's the question.  I love my ARC REF 6.  It's a great piece of equipment.  But  lately, I have been thinking that maybe I should switch from tubes to a Pass Labs XP-32, as I don't want to worry about replacing tubes in the future (like 5-10 years from now -- I know that there is plenty of stock now and I have a spare set anyway) as I approach retirement age.  Of course, other than buying a Pass Labs XP-32 and putting it into my system to see how it sounds, I am at the mercy of professional reviewers. The rest of my system: I have a Pass Labs 250.8 (so I think that there would be great synergy with the XP-32), MSB Discrete DAC with Premier Power Base and Wilson Sabrina X speakers, and a full loom of Shunyata cables.  Will the XP-32 be an improvement over the REF 6 for my system?  Should I sell the REF 6 and get an XP-32?

moto_man

Showing 6 responses by moto_man

@lalitk, I suppose that I can.  I just wonder if the change is worth it sonically, as I have only heard great things about the XP-32 but haven’t heard it anywhere, especially in my system, obviously.  Of course, the REF 6 always gets great reviews and it was a step up from my DAC to amp setup and a big step up from the VAC Renaissance V that Itried, as well as the ARC LS28SE.  What did you replace your REF 6 with?

@ghdprentice, thanks.  I agree that the REF 6 is world class, definitely nothing wrong with it for me. But how about head to head?  I've heard great things about the XP-32 as being even better than the REF 6, especially when paired with Pass Labs amps . . .  Hence the dilemma!

@johnlnyc, LOL! so true.  Always looking for better.  I like the way my system is right now, but I want a deeper soundstage.  It may be a function of the size of my dedicated room (11x11x11), but I would like one more preamp upgrade before I retire or semi-retire and get flack for spending so much money on components, LOL!  And if I get a new preamp, it's going to be solid state.  The XP-32 seems to fit the bill and there is the fact that it is paired with a Pass Labs 250.8, so it seems like the obvious choice.  the only question is whether it will be a step up and it looks like the only way I will figure it out is by getting one and putting it into the system for a while and selling the one that isn't better.  in an ideal world, someone would have had both and can articulate the pros and cons of the switch . . .

@audphile1, thank you so much.  That is exactly the type of input I am looking for.  I understand that the XP-32 is also quite a step up from the XP22 as well.  It sounds like the differences were rather subtle, since you say that you spent a good amount of time comparing them in order to discern the differences.  I am wondering if even jumping to the XP32 will be more than a subtle change.  I originally was using my MSB DAC as a volume control.  The ARC LS28SE was lent to me by a dealer and I thought that there was very little if any discernible difference between it and the MSB.  Then I tried a VAC Renaissance Mk V, and slightly better than the ARC but again, not worth it.  Then I tried the ARC REF 6 and it was a definite improvement over the LS28SE and the VAC.  Sounds like I really need to just bite the bullet, put it in my system and sell the one I like less.  What are you using for speakers?

@curiousjim, LOL!  Yeah I bought my REF 6 (not SE) with a full set of replacement tubes.

@sleeeepguy thanks for your input, especially since you and I have similar systems. The combo of the 250.8 and the Sabrina X's and the ARC REF 6 has been great for me.  I guess ultimately, I just have to put it in the system and see what my ears think!

@speedthrills, thanks for your input too!  Although the XP10 is way down the food chain from the XP32 and is probably not a fair comparison.  However, based on my own experience, I can tell you that the jump up to the REF 6 from the LS28SE was a big one for me. As usual, as you climb the latter, you typically get more of everything.  So if I ultimately go for the XP32, you should get my REF 6 with the spare tube set and sell your LS28SE! :)

@daveteauk, just to clarify, my valve anxiety is based on the availability of replacement tube sets 5-10 years down the road.  I already have a full replacement set that came with my ARC.  But in an ideal world, my preamp should be good for a long time.  I probably listen about an average of an hour or two a day and maybe 3 hours on the weekends.  The power tube should last about 2000 hours and the other tubes about 4,000 hours, I think.

@dave777tx, my Wilson dealer, Salon Audio in Miami, thought that the Sabrina X's would be a better fit in my small room than the Sasha DAW's, although I am not really down with spending $25K+ on some speakers . . . But of course, selling the Sabrina's makes it more like a $13K outlay.

It is definitely interesting how peoples' opinion diverges though.  Many people think that the XP-32 is very "tube-like" which is what attracted me to it over the ARC REF 6 as the "long-term,"  i.e., until I croak, preamp.  Others love the ARC REF 6 sound.  The bottom line seems to be that there is no way to know how it sounds with your system and room acoustics without actually putting it in.  I have noticed that despite the clear opinions of various people, When I make changes to my system, they are not "night and day" but subtle improvements -- audible for sure, but still subtle.  For me, and maybe this makes sense, I like the idea of not worrying about tube replacement and availability in the long run.  For example, in addition to long term availability, how do you even know that a tube or tubes need to be replaced in the ARC REF 6, without a tube tester or a catastrophic failure? The Pass XP-32 does not have those questions.

The other thing that is very important to me is soundstage.  I like a three dimensional soundstage (who doesn't) and my current setup has more soundstage width and placement of instruments but not as much depth.  That may be speakers or preamp or both, but my Holy Grail, like many here, is that depth of soundstage like "you are there."  I originally listened in the 70's to a system with Mark Levinson amp and preamp and stacked Quad ESL speakers and it sounded like the band was playing right in front of me -- although I am open to the possibility that was the weed that I had smoked that contributed to that, LOL!  Many people's take about the XP-32 as increasing "realism" and depth, which is another reason I have been focused on the XP-32.