Guys, you are barking at the wrong tree here. The JVC QL-Y3F turntable is NOT a tangential linear tracking arm. It is a pivot arm with what is called an ED(electro-dynamic)Servo arm to control damping and behavior of arm movement in using electronic means.
vinylengine.com/library/jvc/ql-y3f(DOT)shtml
Here's a blurb from The Vintage Knob site: thevintageknob.org/VICTOR/QLY7/QLY7(DOT)html
"The goal was to eliminate as much as possible the ED Servo (Electro-Dynamic) tonearm's own resonances and stray vibrations : there is no bearing (per se) but two motors which drive the arm's movements vertically and horizontally."
"Tracking force, anti-skating and Q Damping can therefore be operated from elsewhere than the tonearm's base : the minutious mechnical controls included in the tonearm of the QL-F6 were scrapped for "micro-computer" control - a very cool word in 1980!"
"VTA is adjustable with a lock on the non-electronic side of the tonearm."
JVC was an innovative company and their turntables are excellent quality. Their more conventional tonearms that came with their QL series turntables are true sleepers.
By the way, I am not a fan of linear tracking servo arm either but they still have merits even if they can't keep tangency through out but the elimination of anti-skating force and it has its sonic merit and the evenness and consistency of sound through out the entire record side is not to be sneered at. Of course you can argue it still exhibits miniscule force. Playing a record in the real world situation very often negates absolute tangency so any idea or innovation to help the needle navigates this dynamic journey is welcome.
But back to Drewmbl's question as to why don't we see more servo arms in the way JVC implement, I don't have an answer. But I suspect cost and complication is the reason. JVC was a big corporation that could afford to spend millions on R&D on such technology but certainly not for the now niche market of tonearm, which is a cottage industry now. A lot of Japanese turntables got criticized because because they are direct drive and many features automatic mechanism which to the audiophile community that's losing "street cred" right there. Many never even bother to listen to some of these gems.
One thing I don't understand is that why can't more people come up with a passive tangent arm, not the servo kind, without using the damn air-bearing. I know Clearaudio is the lone manufacturer here but surely there's gotta be another way of dragging the needle across the record without using a pivot arm. I saw an experimental turntable once that uses water to flow the arm as bearing. Hmm....
vinylengine.com/library/jvc/ql-y3f(DOT)shtml
Here's a blurb from The Vintage Knob site: thevintageknob.org/VICTOR/QLY7/QLY7(DOT)html
"The goal was to eliminate as much as possible the ED Servo (Electro-Dynamic) tonearm's own resonances and stray vibrations : there is no bearing (per se) but two motors which drive the arm's movements vertically and horizontally."
"Tracking force, anti-skating and Q Damping can therefore be operated from elsewhere than the tonearm's base : the minutious mechnical controls included in the tonearm of the QL-F6 were scrapped for "micro-computer" control - a very cool word in 1980!"
"VTA is adjustable with a lock on the non-electronic side of the tonearm."
JVC was an innovative company and their turntables are excellent quality. Their more conventional tonearms that came with their QL series turntables are true sleepers.
By the way, I am not a fan of linear tracking servo arm either but they still have merits even if they can't keep tangency through out but the elimination of anti-skating force and it has its sonic merit and the evenness and consistency of sound through out the entire record side is not to be sneered at. Of course you can argue it still exhibits miniscule force. Playing a record in the real world situation very often negates absolute tangency so any idea or innovation to help the needle navigates this dynamic journey is welcome.
But back to Drewmbl's question as to why don't we see more servo arms in the way JVC implement, I don't have an answer. But I suspect cost and complication is the reason. JVC was a big corporation that could afford to spend millions on R&D on such technology but certainly not for the now niche market of tonearm, which is a cottage industry now. A lot of Japanese turntables got criticized because because they are direct drive and many features automatic mechanism which to the audiophile community that's losing "street cred" right there. Many never even bother to listen to some of these gems.
One thing I don't understand is that why can't more people come up with a passive tangent arm, not the servo kind, without using the damn air-bearing. I know Clearaudio is the lone manufacturer here but surely there's gotta be another way of dragging the needle across the record without using a pivot arm. I saw an experimental turntable once that uses water to flow the arm as bearing. Hmm....