Seeking a Warm 12AX7 Tube for Preamp

The Genalex are warm and rich, not bright at all.  

VTS has the best stock of any tube supplier just need patience.

I've got an assortment of 12ax7's and my suggestion for warmth would be NOS Mullard (IEC variety are less), Brimar (can be bought from Langrex in the UK for  a reasonable price), or if new issue the Gold Lion B749.  The reissue Mullards didn't do it for me.  I have used NOS Amperex as well and they tend to be a little more bright and detailed. I'll also second the NOS Matsushita made with the Mullard tooling. These are very good and  should fit in your budget.  I would try to stretch the budget a little bit because under $ 150.00 opens up a lot of options. 

@trivema I think you might be on to something with the "too much gain" comment. I have noticed that I'm at 90dB spl with the volume control at only 9 o'clock. I found some used GE 5751 that I ordered from an eBay seller with a good reputation. He says they are tested, both sonically (matched) and electrically and are well within spec. Thanks for the tip @mulveling!

Just as a backup, I also bought some new Mullard Reissued 12AX7. So I'll have some things to try out and see if this beast can be tamed on the top end. 

I have to really thank everyone for all of the suggestions. I've read them all. And even if I haven't mentioned here, I have more options from your thoughts and thank everyone for taking the time. I'll have the tubes in this weekend and will post an update after I have some time to burn them in. 

G

@spacecadet65 (love the name btw), if you picked up the triple mica black plate GE 5751, you've got a real winner, I have one of those as well.  I also have a couple regular GE 5751 grey plate, they're pretty good too with a neutral, linear "softer" sound signature. 

If you're volume pot is 9 o'clock and 90 dB speaker output, something is running with high gain.  You could try attenuators on the amplifier inputs.  Initially I could not get the Willsenton volume past 9 o'clock, 10 max with 99dB sensitive Klipsch Fortes.  With 10dB attenuators I can now use more of the volume pot, the VU meters move more than a centimeter or two and no loss in sound quality, dynamics, rhythm pace or timing. Check out Parts Express, they have Harrison Labs in-line attenuators for RCA inputs.  You can also find XLR attenuators if you're running fully balanced interconnects. 

Another thing to consider is "tube synergy." What are the other tubes in the pre-amp circuit?  The next stage in the Willsenton is two 6SN7s each driving a 300B which drive 845 output tubes.  I've found mixing and matching the 12AX7/5751/12AT7 with certain 6SN7s can also make a sonic difference. 

My favorite 6SN7 in the Willsenton are Tung Sol WGTA brown base JAN.  Great combination of warmth, lots of detail and punch.  Sylvania WGTs, WGTAs and WGTBs are more mellow, less detail but have a lot of warmth.  RCAs are smoother, less detail, less warmth, but very neutral, linear frequency response and can stand a "hotter" 12AX7 to punch them up a notch.  Raytheon WGTAs and WGTBs are a touch grainy, think guitar amp in overdrive, and marry better with a softer V1 like the GE 5751 or a Telefunken 12AT7.   

I probably spend too much time swapping tubes in and out, but that is part of the fun of a good tube amp I guess.