I've used this fast and exciting RD XLR on my EC EMC-1 MkII to Aleph P, then long asymmetrical XLRS to the Aleph 2 monos, finally using rev II to my Parsifal Encores. GREAT performance, yet still could not get rid of its slight "clickiness" on transients. An ex-dealer warned me that RD is clear, fast, and all that, but NOT perfectly neutral up top...exaggerating transients. There ya go. So eventually I found SPM cables and some XLRS for the CDP and voila...the treble transients are perfectly natural, and the larger gauge DOES result in a fuller balance. I also used the Harm Tech Pro-Silways you have, and found them remarkably similar to the RD. The Truthlink I still use on my tuner to quench those top octave FM birdies a bit.... Nice warmer balance.
For most folks who ask my advice I recommend Blue Heaven as it's half the price of RD, and although it's not quite as resolving, and is equally lean-balanced (unlike the SPM), it doesn't portray small drums or top octave string transients in a metallic way like RD can.
FYI I bought the SPM 1m XLR for $350 (sold the RD for $225), and the 8' cables for $1000 (!), selling the RD for $750. Very cost-effective upgrade indeed. All along I was blaming the Redbook 16bit limitations!
For most folks who ask my advice I recommend Blue Heaven as it's half the price of RD, and although it's not quite as resolving, and is equally lean-balanced (unlike the SPM), it doesn't portray small drums or top octave string transients in a metallic way like RD can.
FYI I bought the SPM 1m XLR for $350 (sold the RD for $225), and the 8' cables for $1000 (!), selling the RD for $750. Very cost-effective upgrade indeed. All along I was blaming the Redbook 16bit limitations!