Regarding 78's




Hi folks.

Many audiophiles aren't aware of the sound quality and musicality that can come out of these records because of the lack of proper equipment to play them back with. It seems 78's are the biggest pains in the netherquarters for most because they require specific eq and stylus size requirements for the various era's. I've always found it fascinating. It's like audio archeology. Even as a kid, I was astounded at the difference in sound with the right stylus. The old "flip over" type. Sometimes, when given the choice between the original 45 or 78 to remaster certain things with, the 78 is chosen for it's dynamics despite the increase in surface noise which is now being ameilorated via computers. Sometimes way to much in my opinion but that's another forum post!

1. Do modern record cleaners such as the VPI safely clean them? Who makes the special liquids to use on them?

2. If you have experience with "vintage recording" phono stages and eq's, which do you think is the best in the business? Very interested in the KAB USA units. Their website and services they offer are quite impressive.

Also if any of you live in the Greater MA, RI, NH, CT or NYC areas and have a modern 78 set-up, I'd love to hear it to help me build my own. Contact me if you have a moment.

3. Any of you use your VPI's to play 78's and what's the effect?

All the best.

D.H.
danhirsh

Showing 1 response by eldartford

Sometimes when listening to classic recordings from the 78 age, a little surface noise just adds to the authenticity of the experience. I have Benny Goodman recordings that were made from "Air Checks" of his AM radio broadcasts. These are some of his very best performances, that would have been lost forever if these checks were not done, and the audio quality is OK, AM radio and all.

As Dopogue suggests, the stereo pickup Left and Right signals should be shorted together right at the pickup pins, or at the preamp input. If you wait until the two signals have been amplified and equalized (RIAA) before mixing them, slight inequalities of gains and RIAA equalization will result in some sensitivity to vertical groove modulation, which, of course, is pure noise and/or mistracking.