For those that may be interested:
The ios has about 100 hours on it so far thanks to a burn-in cd for MC phono stages. It does need burn in as can be expected. It was painfully bright when out of the box especially with violins. Now that it's mellowed a bit in the highs I feel I can give a brief comment.
Still damn quiet!
All in all -awesome! I was really wondering why I was bothering with vinyl lately. I have a P9 and an Apheta but wasn't feeling it. I knew I needed to get a better phono stage some day but after all of the $$$ to date I wasn't too keen on more $$$ into the vinyl pit. Until that is I saw that Rega came out with the ios. A perfect match for the Apheta and P9 - how could I not give it a go?
It does everything that I wanted it to. More, more, more. Detail, dynamics, and just plain slam. I had heard others speak of the toe-tapping response to new gear but hadn't had that experience with the vinyl side of things.
The soundstaging is much better than where I was before. Deeper and wider. The biggest thing I like is the feeling of texture and body that the music now has.
I haven't played much with the filter or different loadings yet but that will come.
Overall if you want a beautiful sounding vinyl front end I highly recommend that Rega P9/Apheta/ios combo. It's really a treat to the ears. For me Rega is a great way to go. With so many variables in this hobby it's nice to eliminate a bunch especially from the vinyl front end. I had an LP12 and a VPI and always was thinking about what tweak I needed to get the most from it. Where did it end? Sold both and got back to Rega. Started with a P3. I know there are many who like the tweaks and the tinkering but it got in the way of the music for me and I was wondering what the point was - waiting for UPS to arrive with vinyl nirvana, but it never happened.
Hope someone finds this helpful!
Thanks to all on this great forum!
The ios has about 100 hours on it so far thanks to a burn-in cd for MC phono stages. It does need burn in as can be expected. It was painfully bright when out of the box especially with violins. Now that it's mellowed a bit in the highs I feel I can give a brief comment.
Still damn quiet!
All in all -awesome! I was really wondering why I was bothering with vinyl lately. I have a P9 and an Apheta but wasn't feeling it. I knew I needed to get a better phono stage some day but after all of the $$$ to date I wasn't too keen on more $$$ into the vinyl pit. Until that is I saw that Rega came out with the ios. A perfect match for the Apheta and P9 - how could I not give it a go?
It does everything that I wanted it to. More, more, more. Detail, dynamics, and just plain slam. I had heard others speak of the toe-tapping response to new gear but hadn't had that experience with the vinyl side of things.
The soundstaging is much better than where I was before. Deeper and wider. The biggest thing I like is the feeling of texture and body that the music now has.
I haven't played much with the filter or different loadings yet but that will come.
Overall if you want a beautiful sounding vinyl front end I highly recommend that Rega P9/Apheta/ios combo. It's really a treat to the ears. For me Rega is a great way to go. With so many variables in this hobby it's nice to eliminate a bunch especially from the vinyl front end. I had an LP12 and a VPI and always was thinking about what tweak I needed to get the most from it. Where did it end? Sold both and got back to Rega. Started with a P3. I know there are many who like the tweaks and the tinkering but it got in the way of the music for me and I was wondering what the point was - waiting for UPS to arrive with vinyl nirvana, but it never happened.
Hope someone finds this helpful!
Thanks to all on this great forum!