Reel to reel , is it real the hype!


I am thinking of venturing into the realm of reel to reel.
I have access to purchase an otari mtr10, with enhanced 1/2 “ head block, refurbished and recapped for 9k.
my system is in brief is ayre kxr and mxr twenties playing through magico M3 with Jl audio Gotham subs. Front end digital is souped up wolf streamer pure digital capable of playing 512 and 1024 dsd files , t+a sd 3100hv dac( capable of playing 1024 dsd native . Front end analogue is sme 30/2 with Lyra Etna lamda sl catridge playing through vandenhul grail Se+ phono stage.( please see my system page for details )
my question is will the otari give me better performance than my digital and vinyl front end . Thank you in advance .
newtoncr

Showing 2 responses by mgattmch

I got into R2R this year (fully refurbished 2T HS Revox B77 Mk2 and 2T HS PR99 Mk2). With the right, expensive, tape nothing beats a 15ips, 2T well-recorded R2R tape for SQ. Plain and simple, why do you think high end manufacturers are now using R2R tape to demonstrate their products?

My favorite R2R tape is Lyn Stanley's London With A Twist; I guarantee, on a top quality system, you will think you are listening to live music, quite simply unbelievably real. Also from Acoustic Sounds; Nora Jones Come Away With Me, Oscar Peterson We Get Request and Muddy Waters Folk Singer. Again, all 3 tapes sound like live music being played in front of you. I have been a HiFi enthusiast for 55 years now and owned a lot of equipment in that time and heard many wonderful recordings (LP, CD, Streaming, FM Radio and now R2R); well recorded 15ips 2T tape beats every format hands down.

If you need a good source of R2R tape machines try: https://www.techtrader.ch. Urs is a great guy to deal with and his refurbished Revox/Studer machines are as good as they get IMHO. Beyond being a customer I have no affiliation with this company.

R2R system is mainly the Revox PR99 Mk2 (IEC) playing into a McIntosh MC52, MC312 power amp and Magico A5 speakers. The Revox B77, Mk2 2T, HS is setup for NAB equalized tape.
fuzztone, I attended the same Lyn Stanley AXPONA 2018 seminar. Apparently the tape was made simultaneously with the DD, cut as a safety copy. From the Lyn Stanley web site:
The original session used RGMI 468 1/4 inch tape at 30ips as the lacquers were being cut
I actually own both the DD and tape. Although the DD LP is truly exceptional, the tape is even better IMHO. Clarity, resolution, frequency response, low noise, spatial presentation and dynamics are second to none to my ears. The best recording I have ever heard!