Prima Luna vs jolida


I am looking at upgrading from my aging b&k ex442 to mono blocks. Iam considering the prima Luna prologue 6 or the new jolida 502p which can be bridged and two run as mono blocks. What I like about the jolida is being able to buy one at a time. Just curious as to opinions. Fwiw I am running a set of gallo 3.5, audible illusions pre and Cary cdp. I like the less grainy/brightness of the b&k compared to the adcom that I had prior. But that is the only other amp I have tried in my system.
2out2sea

Showing 6 responses by wolf_garcia

Although I rarely mention my fabulous Jolida 502p (!), I have to say my "factory modded/upgraded" (100 bucks extra) version is a quiet and powerful GREAT sounding amp. I've taken it apart and its build quality is clean, and I've never read a direct comparison review with Prima Luna so I have no clue if anybody thinks Prima Lunas sound better based on actual listening. They're similar designs with Prima Luna using an "auto bias" circuit and Jolida using an "ez bias" that the designer thinks is a better idea, although I doubt that makes much difference other than adding some convenience. They certainly cost more though, perhaps to justify the mountains of hype and advertising. Try to find a recent Jolida 502p review or an advertisement and you'll struggle...the perception of Prima Luna being a "step up" so far seems based on hype (and cost...it MUST be better if it costs twice as much), and I bet 2 502s run mono for 120 watts per side will stand up to most any non-premium cost amp rig, at least in power output and at less than the cost of one 42 watt stereo Prima Luna. I also like the Jolida XLR inputs that Prima Luna lacks. Kt120s work fine in a 502p, and Prima Lunas will run most anything within reason, albeit with less power output than a comparable Jolida (another difference is the triode/ultralinear switching that Jolida ignores...that alone could justify the higher price for some). Kevin Deal does a great job hyping Prima Luna and they seem like a really sweet line of amps...nobody hypes Jolida except me...and Jedinite...and maybe somebody else, but certainly not Jolida unless you call 'em. Also, Jason Statham bought an amp from Jared at Jolida...that means something, doesn't it?
KT120s seem to have a more dynamic sound, they're inexpensive, and last a long time. Also, I don't think "point to point" wiring adds anything to sound particularly...it's wiring.
Transformer meltdown doesn't seem to be much of an issue with KT120s...at least as far as I can tell from asking around. GL KT88s have been highly regarded for a while, but 120s are cheaper and sneaking in everywhere. It is important that you have several power tube options sitting unused in boxes to retain any level of audio geek cred.
Perhaps swap the 12AX7s and 12AT7s out (I like Mullard 12at7A/CV4024s and Psvane 12ax7s), different power tubes, try different interconnects and speaker wires...take the entire amp apart and replace everything with premium caps, resisters, wire, and a new oil filter...and was this a factory modded version? Also, I'm using a very clean dual mono balanced Kavent S33 preamp and a later version factory modded 502P, not a 502b...so my suggestions might be useless anyway. I use a REL sub so the bass is influenced by Mosfets mosfetting away.
I use KT120s, Psvane 12AX7-T IIs, and Mullard NOS 12AT7s, none of which are expensive, and all of which sound amazingly good, although I said that about the other tubes I was using before this group. I researched the crap outta the "Tube Amp World" before deciding on my Jolida, and I just could not ignore the fact that their power amps occupy their own price category with weirdly modest to zero factory hype, and are well regarded nonetheless.