Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand

Showing 6 responses by charliee

Swamp,
Sounds like you have flipped the tape monitor switch, are
you sure that you do not have one? It would be on top, right front corner. I did that once without knowing that I had, same results that you are describing.
Clipsal

I am useing the Syrah, and not the Sauvignon. I am useing
the W.E.350B along with the Sylvania metal base 6SN7W, and the Bendix Redbank 6106 as the rectifier.

This combo has dynamics in spades, and the bass which had
been MIA with 5881's 6L6, etc... comeing from my Totem Mani II is simply amazeing. Very deep, tight, and well defined. I haven't tried the 6F6G but, the results should be simular based on what's being said about them. I have not tried them becouse Mick has not recommended useing them, If you run tubes that he says no to useing, what is that going to do to your warranty? Something to consider. He did in an e-mail tell me that 350B's are ok, just too expensive.

If you are after a more "tubelike" midrange tho, the KT-66
is a gorgeous performer here, but you will trade off some of the dynamics, and bass control that the 350, or 6F6G's (?) provide. The KT-66 along with the Tung-sol round plate is an excellant combo, especially for vocals and acoustic music.

I also like the 350B with the tung-sol round plate. You get the superior performance of the 350B, with a bit of
organic, or human touch to it, as opposed to the straight-
forward dynamics of the Sylvania's.

Sorry if my descriptions are on the weak side, I am no re-viewer by any stretch, but I am a pretty good listener tho
and I like to try and help if I can.

I would also like to add here, a VERY large thank you to Mr. Slowhand for starting this very remarkable thread. Without it I would still be listening thru mudd. Although I would have a hell of a lot more $ in my saveings account thank you very much.

And also thank you to the other Guru's, BWhite, Fiddler,
Tubegroover, etc... And the YODA of tube knowledge and info. MR. Ecclectique who have provided so much to all of us quiet types out here at no charge.

CharlieE
Saint2

I owned a VTL 5.5 in the past, and what I recall from the
manuel is that you have to adjust the volume seperately
with the 5.5 and your home theatre pre amp.The "Unity Gain"
wasn't a set and forget operation with that pre amp.

Also, even tho it is a fine "beginners" pre amp, it is
clearly inferrior to the Supratek pre amps in performance,
value, and looks. Honestly, there is no comparison. If you
have the funds, and you can stand the wait, skip the VTL and step up to the Supratek.
Hello Slowhand. I am looking to order the new Pinot phono stage. What are your favorite NOS tubes for the Cortese phono stage? Unfortunately I sold off all my W.E. 350B's years ago after I sold my Sarah, and most of my 6SN7 collection. Looks like I will be starting over on collecting.