Post binding for crude tone control


I have a newish pair of ATC SCM40 passive speakers.  They're 3-way, notoriously revealing and have triple binding posts*.  The posts are connected by metal plates (steel?).   The dealer advised, and I believe it's common practice, that I bind my cables to one of the bass driver's posts, and to one of the tweeter's posts.  I expect this setup treats all 3 drivers the same, with an equal amount of plate in each's circuit.

Recently, I've upgraded cables, fuses, USB cables etc, and resolution of the system has increased along with a little digital glare.  Female vocals are too often sibilant.  The probable cause is the ethernet stage and I am working on improving it, but to "tame the treble" I thought I'd try playing around with the binding setup.  It occurred to me by binding across the bass or mid-range posts I might be "favouring" those drivers, and attenuating the others.  I'm assuming the plates have a slightly higher resistance than my TelluriumQ Ultra Black II cable.

So, I unplugged from the tweeter's terminal and moved the cable's plug to the mid-range's.  Each cable is now bound to both the bass and mid-range posts.  The tweeter's posts are connected by only the plates.

And, hey presto, the system is now exhibiting a slightly warmer, darker sound.   I might be wrong, of course;  wouldn't be the first time the Emperor's new clothes are warmer and more musical. 

Has anyone else done the same?  

It did occur to me that strategic use of resistors might attenuate a driver even further, though I doubt this could improve resolution.

 

* - has anyone ever tri-wired their speakers?

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Showing 1 response by jallan

I have SCM40’s too that replaced SCM 35’s. I have biwired them, using the stock jumpers. I had originally tried fancy jumpers from Cardas, but the sound was smoothed too much. I was surprised that I preferred the stock jumper plates.

 

These speakers benefit from biwiring, in my opinion. My SCM40’s are not bright or hard at all. The SCM35’s could be bright and hard on poorly recorded material.