P5-xe, codex, XLR interconnects


I have an Apollo CDP, Music Hall TT with Goldring 1012 cartridge, feeding through a Clear Audio Nano phono pre, with both going to an Ayre AX-7e. Speakers are Sig 2 Ce.
With a budget of about $3k, I’m trying to figure my next best step.
I’m trying to decide whether I’m better off:
1-getting a new codex, and having about $1k for XLR Interconnects,
2- or getting a new Ayre PX-5e + XLRs
3- or get used codex and PX-5e (both on Audiogon now) and use existing unbalanced interconnects
4- saves more $ and wait for the release of the AX-8e, or spend elsewhere 

I mostly listen to CD’s, maybe 15% vinyl, but also looking forward to going more streaming. 

I guess I’m mainly interested in the difference between balanced streaming through the codex vs the unbalanced CDP,  and the difference between the Clear Audio phono pre and the Ayre phono pre, of course that assumes i’m Not better off upgrading the cartridge. 

I realize this is a question with 100+ answers and appreciate the guidance of you all. 
Thanks 
jetson

Showing 2 responses by atmasphere

The Mogami cables are certainly not expensive, but right now, I have no balanced source. I'm not sure what's available for a TT arm that would fit my Music Hall.
@jetson All cartridges made today are a balanced source.
To operate it balanced, you merely change out the tone arm interconnect cable. This is usually pretty easy. If you have a low output moving coil, then you don't need to have an expensive tone arm cable to make it work- simply one that is low capacitance.

We made the first balanced line preamps anywhere- I've been at this a long time. The advantage of course is that the tone arm cable does not color the sound (like I mentioned earlier, that's the whole point of balanced operation). As a result they don't have to be pricey; we sell tone arm cables made from nice connectors and a low capacitance Mogami cable that work with most arms. IMO/IME, interconnect cables are the hidden cost in a single-ended system; if balanced, they really aren't.
Just about any cable manufacturer will be happy to supply a balanced cable for your arm, and the tone arm manufacturer might too (I have a Triplanar which can be ordered with either single-ended or balanced cables; if an arm manufacturer challenges you that cartridges aren't balanced, have them call me 651-690-2246 and I can bring them up to speed).
The reason to go balanced is to avoid the colorations that are common with single-ended cables.
How that is possible is that there is a balanced standard which does the job. Your amp supports the standard, not sure about the preamp. But if it does, you won't need a budget of $1K to make the cables work- cheap cables will sound as good as the most expensive. I use Mogami Neglex cables that are 30 feet long in my system; they are not expensive!