Optimal Phono Stage Output?


I recently traded in and up to a Jolida JD9 -- one of the originals from the Maryland factory. I'm still in the process of setting it up and wanted to check in and get some ideas.

The thing with the Jolida (and many of you probably already know this) is that there is a *ton* of gain on hand. I went trough several different settings only to arrive at using the low-outputs with the MM switch w/ 47kOhm switch engaged. So far, this seems to fit well with the AT120E/T cart I'm using.

The original version of the JD9 has trim pots that can be used to dial in the gain when using the low outputs. I pulled out my multimeter to balance the channels and got readings of 18Kohm and 12Kohm on L/R channels respectively. Using the pots, I balanced everything up - no problem.

It got me thinking though, what is the optimal output, what *should* the reading be? My integrated expects 47KOhm input, but I expect that the line level signal jumps all over the place. I suspect I should play a test tone through the preamp and then measure? Heck, I'm not even sure what these measurements actually mean... Please - set me straight! :)
martinman

Showing 1 response by lewm

"The original version of the JD9 has trim pots that can be used to dial in the gain when using the low outputs. I pulled out my multimeter to balance the channels and got readings of 18Kohm and 12Kohm on L/R channels respectively. Using the pots, I balanced everything up - no problem."

You seem to want to talk about signal level, which is typically given in terms of voltage, and here you quote values for resistance that don't make sense to me. In addition to getting the units correct, what are you measuring here? The resistance across the phono inputs? Or what? I am guessing maybe you have measured the resistance across some RCA jack that is affected by the attenuators. Maybe one of the output jacks??? Thus one channel can read different from another, depending upon the setting of each attenuator. This is normal, but it tells nothing about gain or signal strength. Usually, if all the tubes are in good shape, the resistance afforded by the attenuators would end up about equal, for equal sound pressure levels between channels.

Then you write, "My integrated expects 47KOhm input, but I expect that the line level signal jumps all over the place." I don't know where to begin, but the cartridge probably expects to see a 47K input resistance. Perhaps you are here referring to the phono input resistance, which for an MM should remain an invariant 47K ohms or higher, but the same in both channels. The Jolida doesn't "expect" 47K ohms; it provides 47K ohms for MM cartridges. The 47K resistors are in the Jolida phono stage, at its input. wired from hot to ground.