Opinions on the Dynaudio DM 2/8


I'm curious to hear what people think about these speakers. I've read reviews on a few of the models in
the line (including one from TAS about the 2/8, and the 2/10 by HiFi-Choice) and they are very positive overall. People seem to think that based on their size they make great speakers for rock music, which I listen to lots of.

The 2/8 has caught my attention for this very reason. My dealer carries the Tannoy Prestige line with very large cabinets and drivers and they sound amazing. Obviously they are very expensive and should sound amazing, but I think the basic design has something to do with it: they seem totally effortless, are very resolving, and produce fantastic bass and a big sense of scale. They Dynaudios seem to get praise along those same lines. Large drivers in large cabinets must have a lot to do with this.

I currently run a pair of Quad 12L2, which I think are great speakers. But I think I hear their limitations when it comes to some of the harder stuff. They sound a bit thin and compressed, even on albums that are well produced. For example, Voodoo Lounge by the Stones, the softer stuff sounds great, the harder stuff a bit thin and congested in complex passages.

Am I on the right track with the 2/8? I can't help but think I am kind of downgrading, wondering if the cabinet on the 2/8 is of lesser quality. Certainly the finish is. I guess one could argue that a lot of what you are paying for a pair of Quads is going to the finish, whereas for the 2/8 it's going more into things like the drivers and crossover.
fusion10

Showing 4 responses by knownothing

I think the Exposure would be fine with the Dyns, either the DM 2/8 or small Excites. The Dyns you are considering aren't better or worse than the Quads, just different. And probably different in a way you will appreciate, especially the DM's - I would say not quite as warm as then Quads and better able to handle transient peaks and sustained loud passages common in rock music. Dyns will act more like a professional monitor when pushed than the 12L2'S - which will be happier playing acoustic music and human voices.

With that said, the little Exposure will start to compress the signal at higher volumes no matter what speakers you are driving - it's personality and performance envelope perhaps more suited to the same music as the Quads. Remember what kind of amps and speakers the Rolling Stones use when they play live...
If you like slightly detuned British studio monitors like the PMC's, you should also listen to ATC monitors, something like the SCM 11.
OK, if you are considering the ProAc, you might as well consider the Spender SA and the small Harbeths as well. I am not that crazy about the Paradigm Studio 20, prefer the small Signatures or PSB Synchrony monitors. While on The Great White North show, how about Totem Model One Signature?
"My ideal price is about $1,500"

There are several new and used speakers in this size class that are very nice, some available now or recently on Agon. For Rock, I suggest you look at the following, some are better placed close the rear wall than others.

New:

B&W CM5 - Don't yawn, good speakers that can be placed relatively close to the wall

Dynaudio Excite X16 - you are already there...

Fritz Speakers Carbon 7 - I haven't heard these but some posters here are enchanted (at $1750, a bit over your budget, but go deep)

PSB Imagine B - nice speakers for $1000

Swan D21.SE+ - Loads of bass and other stuff good too, may need more room to breath

Totem Rainmakers - Totem Hawks in a small box, go deep, sound good

Usher X-718 - uber bass

Used:

Dynaudio Focus 140 - Better than Excites

Dynaudio Contour 1.3 - Very good

Paradigm Signature S2 - if you can find them in this price range - much better than the Studios IMHO

PSB Synchrony Two B - Also better than little brothers

PSB Platinum M2 - Ditto

Revel M20 - Impressive stand mounts with a big sound

Revel M22 - Ditto above but with slightly more convential styling

Totem Model One Signature - Very good (Model One's not bad either)