And to think when I first started to read this thread, I was going to invite him over to hear my M3 Saphires.
Open baffle speakers
Open baffle speakers design is the simplest , to get bass response similar to other design , like ported, the baffle size must be huge to avoid low frequency degradations . Tipical size the baffle width 10-20" got weak bass performance. I am wondering how open baffle speakers design became so popular ?
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"Danny knows some stuff..." "Modest price bracket requirement for his targeted customer"... I have Ayre KX-R Twenty, Ayre QX-5 Twenty, and Ayre MX-R amps. Am I not in the demo? Danny’s speakers offer incredible value because it’s him and one other employee. His overhead is a low as possible. "Smart Money" knows what Danny is doing and they’ve heard it and chuckling about people still buying Revel, Klipsch, etc. etc. etc.
Have you watched the development videos and read development threads of his OB speakers? Have you priced a pair of NX-Otica or NX-Treme with 2 pair of dual OB subs? That is not "easy way out" or "modest in price". I have been there and heard it myself. This is not "budget" stuff. It is a magic mix of hardcore development without the overhead and "accountant speaker designers" having a say in the design, parts, and materials.
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@toddalin How it works is if the rear of the speaker is far enough from the wall (about 5 feet) then there is about a 10millisecond delay of the rear firing information to reach your ear. If a bit less than that, the ear will interpret it as harshness (which is the same reason side wall reflections should be avoided) but at about 10mS, the ear can interpret the information as echo location. The result is a more palpable soundstage. IOW, it is excellent for imaging. BTW most ESLs and planar speakers like Magnaplanars are open baffle so this should come as no surprise. |
Hello all, Just wanted to add my personal experience with "open baffle" design speakers. Over 40 years ago I was fortunate to purchase one of the iconic examples of open baffle speakers, the Dahlquist DQ 10s Phased Array as a mirrored imaged pair. I loved their sonic purity and transparency then and I'm happy to say that they are still going strong after 4 decades. They've been driven by various amps over the years and sounded great no matter what was feeding them. Yes, reviews had some knocks over the bass response (factory woofer is a 10" Advent unit) but a subwoofer solved that minor issue. Also the DQ 10s are somewhat power hungry, driven in part by the 5 crossovers in each speaker. I've found a source, Regnar Dahlquist, for Dahlquist parts and upgrade kits. New poly caps, low oxygen p to p wiring, new pots, gold plated binding posts and woofer rebuild. I built my own stands for them as the factory stands were "missing" when I purchased them from Federated Electronics. Salesman cut the price and threw in a pair of Monster Cable 12 gauge speaker cables. Sweet deal at the time.because of that. I now use them exclusively for stereo music driving them with a Prima Luna EVO 400 Integrated tube amp. These were remarkable speakers in their time and are still pure and transparent. Thus closes my contribution to the "open baffle" discussion. My exposure to the open baffle concept is limited but has been rewarding. |
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