I see MQA as a Jekyl/Hyde type of experience and codec. On one hand, it sounds fantastic and one can be exposed to the ever expanding library as the two or three major labels add record titles. On the other hand, I keep reading about the greedy hands behind the development. As more streaming companies jump on board it’s possible MQA will die it’s own death by sheer competition.
I agree with others about Tidal, I still like it (and Spotify). Even without MQA.
I agree with others about Tidal, I still like it (and Spotify). Even without MQA.